2.39:1 | 1565 Titles
The Nice Guys (2016)
Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron
Cameras | ARRI ALEXA XT Camera
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by | Woo-Ping Yuen | Cinematography by | Newton Thomas Sigel | Editing by | Jeff Betancourt
Cameras | Red Epic Dragon Camera
The American Side (2016)
Directed by | Jenna Ricker | Cinematography by | Frank Barrera | Editing by | Robert Grigsby Wilson
Cameras | ARRI ALEXA Camera
The Brothers Grimsby (2016)
Directed by | Louis Leterrier | Cinematography by | Oliver Wood | Editing by | Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas
Exposed (2016)
Directed by | Gee Malik Linton | Cinematography by | Trevor Forrest | Editing by | Melody London
Cameras | ARRI ALEXA Camera
Sing Street (2016)
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus, Julian Ulrichs
Cameras | ARRICAM Lite (LT) Camera, Red Epic Camera
Pride and Prejudice and Zombies (2016)
Directed by | Burr Steers | Cinematography by | Remi Adefarasin | Editing by | Padraic McKinley
Lenses | Cooke S4/i Lenses
Triple 9 (2016)
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
Gods of Egypt (2016)
Directed by | Alex Proyas | Cinematography by | Peter Menzies Jr. | Editing by | Richard Learoyd
Cameras | Red Epic Dragon Camera
Lenses | Panavision Primo 70 Lenses
Risen (2016)
Directed by | Kevin Reynolds | Cinematography by | Lorenzo Senatore | Editing by | Steve Mirkovich
Cameras | ARRI ALEXA Camera
Eddie the Eagle (2015)
Jane Got a Gun (2015)
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Neighbors 2: Sorority Rising (2016)
Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker, Michael A. Webber
Cameras | ARRI ALEXA XT Plus Camera
Dirty Grandpa (2016)
Directed by | Dan Mazer | Cinematography by | Eric Alan Edwards | Editing by | Anne McCabe
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke S4 Lenses
Keanu (2016)
The Boy (2016)
Directed by | William Brent Bell | Cinematography by | Daniel Pearl | Editing by | Brian Berdan
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Hawk Vantage One Lenses
Criminal (2016)
Directed by | Ariel Vromen | Cinematography by | Dana Gonzales | Editing by | Danny Rafic
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Sicarivs: the Night and the Silence (2015)
Directed by | Javier Muñoz | Cinematography by | Javier Cerdá | Editing by | Paco Díaz
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Super Speeds Mk III Lenses
Kung Fu Panda 3 (2016)
The Huntsman: Winter’s War (2016)
Directed by | Cedric Nicolas-Troyan | Cinematography by | Phedon Papamichael | Editing by | Conrad Buff IV
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses






















































