2.39:1 | 1565 Titles
Hell or High Water (2016)
Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts
Cameras | ARRI ALEXA XT Studio Camera
Florence Foster Jenkins (2016)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli
Cameras | ARRI ALEXA XT Camera
Pete’s Dragon (2016)
Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke Anamorphic/i Prime Lenses
Good Boys (2019)
Directed by | Gene Stupnitsky | Cinematography by | Jonathan Furmanski | Editing by | Daniel Gabbe
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
American Wedding (2003)
Directed by | Jesse Dylan | Cinematography by | Lloyd Ahern II | Editing by | Stuart H. Pappé
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Capsule (2015)
Directed by | Andrew Martin | Cinematography by | Felix Forrest | Editing by | Jan Hillman
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses, Red Pro Zoom 17-50 mm T2.9 Lens, Red Pro Zoom Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Tokina Lenses
Ghostbusters (2016)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA XT Camera
Ice Age: Collision Course (2016)
Directed by | Mike Thurmeier, Galen T. Chu | Cinematography by | Renato Falcão | Editing by | Erin Crackel, James Palumbo
Star Trek Beyond (2016)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
Suicide Squad (2016)
Wild for the Night (2016)
Directed by | Benny Boom | Cinematography by | Tommy Maddox-Upshaw | Editing by | Dan O'Brien
Cameras | Red Epic Dragon Camera
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Trust (2010)
Abduction (2011)
Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Jezus van de Javastraat (2016)
Directed by | Bram van Splunteren | Cinematography by | Ties Versteegh | Editing by | Olivier Lambrechts
Cameras | Panasonic VariCam 35
Lenses | Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Super Speeds Mk II 35 mm T1.3 Lens, Zeiss Super Speeds Mk II 50 mm T1.3 Lens, Zeiss Super Speeds Mk II 85 mm T1.3 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens, Zeiss Super Speeds Mk III Lenses
The Portrait of a Lady (1996)
Fast 8 (2017)
Directed by | F. Gary Gray | Cinematography by | Stephen F. Windon | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRI ALEXA XT Camera, Red Epic Camera
The Big Fisherman (1959)
Directed by | Frank Borzage | Cinematography by | Lee Garmes | Editing by | Paul Weatherwax
Cameras | Super Panavision-70 Camera












































































