2.39:1 | 1565 Titles
Rubinrot (2013)
Directed by | Felix Fuchssteiner | Cinematography by | Sonja Rom | Editing by | Wolfgang Weigl
Cameras | Red Epic Camera, Red One MX Camera
O Tempo e o Vento (2013)
Directed by | Jayme Monjardim | Cinematography by | Affonso Beato | Editing by | Gustavo Giani
Cameras | Sony CineAlta F65 Camera
How to Deal with an Axe Murderer (2014)
Directed by | Adam Estey | Cinematography by | Kevin Rigney | Editing by | Holly Pavlik
Cameras | ARRI ALEXA Camera
A Million Ways to Die in the West (2014)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Sony PMW-F55 Camera
Chappie (2015)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt
Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Nezha (2014)
Directed by | Xiaofeng Li | Cinematography by | Joewi Verhoeven | Editing by | Yueyue Liu
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Gippi (2013)
Wara no tate (2013)
Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita
Cameras | ARRICAM Lite (LT) Camera
Mai wei (2011)
Directed by | Je-kyu Kang | Cinematography by | Mo-gae Lee | Editing by | Gok-ji Park
Cameras | Red One Camera
Sinsegye (2013)
Directed by | Hoon-jung Park | Cinematography by | Chung-hoon Chung, Eok Yu | Editing by | Sae-kyoung Moon
Cameras | Red One Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
Grand Piano (2013)
Directed by | Eugenio Mira | Cinematography by | Unax Mendia | Editing by | José Luis Romeu, Rodrigo Cortés
Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Pour une femme (2013)
Pop Redemption (2013)
Directed by | Martin Le Gall | Cinematography by | Frédéric Nony | Editing by | Christophe Pinel
Cameras | ARRI ALEXA Camera
Grigris (2013)
Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo
Cameras | ARRI ALEXA Camera
Shame (2011)
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
Age of Uprising: The Legend of Michael Kohlhaas (2013)
Directed by | Arnaud des Pallières | Cinematography by | Jeanne Lapoirie | Editing by | Sandie Bompar, Arnaud des Pallières
Lenses | Angenieux HR 25-250 mm T3.5 Lens
Jimmy P. (2013)
Directed by | Arnaud Desplechin | Cinematography by | Stéphane Fontaine | Editing by | Laurence Briaud
9 mois ferme (2013)
Directed by | Albert Dupontel | Cinematography by | Vincent Mathias | Editing by | Christophe Pinel
Cameras | Red Epic Camera
La Vénus à la fourrure (2013)
Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze, Margot Meynier
Cameras | Sony CineAlta F65 Camera
Avant l’hiver (2013)
Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker
Cameras | ARRI ALEXA Studio Camera
























































