2.39:1 | 1565 Titles
Métamorphoses (2014)
Healing (2014)
Directed by | Craig Monahan | Cinematography by | Andrew Lesnie | Editing by | Suresh Ayyar
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens
The Reckoning (2014)
Directed by | John V. Soto | Cinematography by | Jason Thomas | Editing by | Regg Skwarko
Cameras | ARRI ALEXA Camera, Red Epic Camera
Labor Day (2013)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
Nymphomaniac: Vol. II (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Maestro (2014)
Directed by | Léa Fazer | Cinematography by | Lucas Leconte | Editing by | Jean-François Elie
Cameras | ARRI ALEXA Camera
Party Girl (2014)
Directed by | Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis | Cinematography by | Julien Poupard | Editing by | Frédéric Baillehaiche
Cameras | Red Epic Camera
Anything for Alice (2014)
Directed by | Nicolas Cuche | Cinematography by | Guillaume Deffontaines | Editing by | Thierry Rouden
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Chef’s Wife (2014)
Directed by | Anne Le Ny | Cinematography by | Jérôme Alméras | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses
The Salvation (2014)
Directed by | Kristian Levring | Cinematography by | Jens Schlosser | Editing by | Pernille Bech Christensen
Cameras | ARRI ALEXA Plus Camera
Maintenant ou jamais (2014)
Directed by | Serge Frydman | Cinematography by | Pierre-Hugues Galien | Editing by | Céline Kélépikis
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Kelly & Cal (2014)
Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Series Lenses
Mandela: Long Walk to Freedom (2013)
Directed by | Justin Chadwick | Cinematography by | Lol Crawley | Editing by | Andrew Cassells, Rick Russell
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Saving Mr. Banks (2013)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Mark Livolsi
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Invisible Woman (2013)
August: Osage County (2013)
Mandariinid (2013)
Kikaidâ Reboot (2014)
Fishing Without Nets (2014)
Directed by | Cutter Hodierne | Cinematography by | Alex Disenhof | Editing by | Cutter Hodierne, Dominic LaPerriere
Cameras | Red Epic Camera, Red Scarlet Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses
Relatos salvajes (2014)
Directed by | Damián Szifron | Cinematography by | Javier Julia | Editing by | Pablo Barbieri Carrera, Damián Szifron
