Distributed Aspect Ratio » 1.66:1

1.66:1 | 110 Titles

1.66:1 3.33/5 3 Votes

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Shane (1953)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1 | 118 Minutes

Directed by | George Stevens | Cinematography by | Loyal Griggs | Editing by | William Hornbeck, Tom McAdoo

Starring | Alan Ladd, Jean Arthur, Van Heflin

Cameras | Technicolor 3-Strip Camera

Vox Lux (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.66:1 | 114 Minutes

Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam

Starring | Natalie Portman, Jude Law, Stacy Martin

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Cries & Whispers (1972)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 91 Minutes

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Siv Lundgren

Starring | Harriet Andersson, Liv Ullmann, Kari Sylwan

The Holdovers (2023)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 133 Minutes

Directed by | Alexander Payne | Cinematography by | Eigil Bryld | Editing by | Kevin Tent

Starring | Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Giant (1956)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 201 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence

Starring | Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker

Cameras | Mitchell BNC Camera

Barry Lyndon (1975)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 185 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson

Starring | Ryan O'Neal, Marisa Berenson, Patrick Magee, Hardy Krüger

Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera

Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens

The Witch (2015)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 92 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Julian Richings

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Bad Taste (1987)

Movie | 2D | Film Project | Color | 1.66:1 | 91 Minutes

Directed by | Peter Jackson | Cinematography by | Peter Jackson | Editing by | Peter Jackson, Jamie Selkirk

Starring | Terry Potter, Pete O'Herne, Craig Smith

Cameras | Bolex H16 SBM Camera, Cinema Products CP-16 Camera

The Sacrifice (1986)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 149 Minutes

Directed by | Andrei Tarkovsky | Cinematography by | Sven Nykvist | Editing by | Michal Leszczylowksi, Andrei Tarkovsky

Starring | Erland Josephson, Susan Fleetwood, Allan Edwall

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

Close (2022)

Motion Picture | 2D | Color | 1.66:1 | 104 Minutes

Directed by | Lukas Dhont | Cinematography by | Frank van den Eeden | Editing by | Alain Dessauvage

Starring | Eden Dambrine, Gustav De Waele, Émilie Dequenne

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

Eileen (2023)

Motion Picture | 2D | Color | 1.66:1 | 97 Minutes

Directed by | William Oldroyd | Cinematography by | Ari Wegner | Editing by | Nick Emerson

Starring | Thomasin McKenzie, Shea Whigham, Sam Nivola

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Bausch & Lomb Super Baltar Lenses

Picnic (1996)

Motion Picture | 2D | Color | 1.66:1 | 68 Minutes

Directed by | Shunji Iwai | Cinematography by | Noboru Shinoda | Editing by | Toshihiko Kojima

Starring | Chara, Tadanobu Asano, Koichi Hashizume

Een Rivier om te Bevriezen (2023)

Short Film | 2D | 6K Project | Color | 1.66:1 | 18 Minutes

Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Jun Jun Liang, Jenny Hsia, Aaron Wan

Cameras | Red Komodo Camera

Lenses | Zeiss Compact Prime CP.2 Lenses

Eventual (2023)

Short Film | 2D | 4K Project | Color | 1.66:1 | 4 Minutes

Directed by | Nicholas Connor | Cinematography by | Piero Cioffi | Editing by | Sakky Barnor

Starring | Tom Machell, Léa Anderson, Sivan Raphaely

Cameras | Arashi Vision Insta360 X3, ARRIFLEX 16SR3 Camera, Blackmagic Cinema Camera

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

A Cure for Wellness (2016)

Motion Picture | 2D | 2K Project | Color | 1.66:1, 1.78:1 (16x9) | 146 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | Pete Beaudreau, Lance Pereira

Starring | Dane DeHaan, Jason Isaacs, Mia Goth

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

This Is My Desire (2020)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 116 Minutes

Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee

Starring | Emmanuel Adeji, Mary Agholor, Kemi Lala Akindoju, Lala Akindoju

Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 16SR3 HS Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Atlantics (2019)

Motion Picture | 2D | Color | 1.66:1 | 106 Minutes

Directed by | Mati Diop | Cinematography by | Claire Mathon | Editing by | Aël Dallier Vega

Starring | Abdou Balde, Aminata Kane, Ibrahima Mbaye, Amadou Mbow

Cameras | Panasonic VariCam 35, Red Weapon Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lenses

Topsy-Turvy (1999)

Motion Picture | 2D | Color | 1.66:1 | 154 Minutes

Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Robin Sales

Starring | Jim Broadbent, Allan Corduner, Dexter Fletcher, Sukie Smith

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Canon Lenses, Cooke Lenses, Zeiss Lenses

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