1.66:1 | 110 Titles
Blue Valentine (2010)
Directed by | Derek Cianfrance | Cinematography by | Andrij Parekh | Editing by | Jim Helton, Ron Patane
Cameras | ARRIFLEX 416 Camera, Red One Camera
Lenses | Angenieux Lenses, Zeiss Lenses
A torinói ló (2011)
Directed by | Béla Tarr, Ágnes Hranitzky | Cinematography by | Fred Kelemen | Editing by | Ágnes Hranitzky
Cameras | ARRIFLEX 535 B Camera
Lie with Me (2005)
Directed by | Clement Virgo | Cinematography by | Barry Stone | Editing by | Susan Maggi
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera
The Accountant (2001)
Directed by | Ray McKinnon | Cinematography by | Blake B. Jackson | Editing by | Joan Sobel
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Good German (2006)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Prometheus (2012)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | ARRI ALEXA Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Box of Moon Light (1996)
Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Amateur (1994)
Directed by | Hal Hartley | Cinematography by | Michael Spiller | Editing by | Steve Hamilton
Cameras | Panavision Panaflex Gold Camera
In the Mood for Love (2000)
Directed by | Kar-Wai Wong | Cinematography by | Christopher Doyle, Pung-Leung Kwan, Ping Bin Lee | Editing by | William Chang
Lenses | Zeiss Lenses
El Mariachi (1992)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | ARRIFLEX 16S Camera
