Distributed Aspect Ratio » 1.66:1

1.66:1 | 110 Titles

1.66:1 2.88/5 8 Votes

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Angi Vera (1979)

Motion Picture | 2D | Color | 1.66:1 | 96 Minutes

Angi Vera | ShotOnWhat?

Directed by | Pál Gábor | Cinematography by | Lajos Koltai | Editing by | Éva Kármentõ

Starring | Vera Pap, Erzsi Pásztor, Éva Szabó, Tamás Dunai

Cameras | ARRI Cameras

Hope and Glory (1987)

Motion Picture | 2D | Color | 1.66:1 | 113 Minutes

Hope and Glory | ShotOnWhat?

Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ian Crafford

Starring | Sarah Miles, David Hayman, Sebastian Rice-Edwards, Geraldine Muir

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, Cooke Varopanchro 20-60mm T3.1 Lens, Zeiss Super Speed Lenses

Brainstorm (1983)

Motion Picture | 2D | Film Project | Color | 1.66:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Douglas Trumbull | Cinematography by | Richard Yuricich | Editing by | Freeman A. Davies, Edward Warschilka

Starring | Christopher Walken, Natalie Wood, Louise Fletcher, Cliff Robertson

Cameras | Panavision Panaflex Camera, Super Panavision-70 Camera

Excalibur (1981)

Motion Picture | 2D | Color | 1.66:1, 1.85:1 | 140 Minutes

Excalibur | ShotOnWhat?

Directed by | John Boorman | Cinematography by | Alex Thomson | Editing by | John Merritt, Donn Cambern

Starring | Nigel Terry, Helen Mirren, Nicholas Clay, Cherie Lunghi

Cameras | ARRI Cameras, ARRIFLEX 35 BL3 Camera

Clockwise (1986)

Motion Picture | 2D | Color | 1.66:1 | 96 Minutes

Clockwise | ShotOnWhat?

Directed by | Christopher Morahan | Cinematography by | John Coquillon | Editing by | Peter Boyle

Starring | John Cleese, Penny Leatherbarrow, Howard Lloyd-Lewis, Jonathan Bowater

Cameras | Moviecam Cameras

Despair (1978)

Motion Picture | 2D | Color | 1.66:1 | 119 Minutes

Despair | ShotOnWhat?

Directed by | Rainer Werner Fassbinder | Cinematography by | Michael Ballhaus | Editing by | Rainer Werner Fassbinder, Juliane Lorenz

Starring | Dirk Bogarde, Andréa Ferréol, Klaus Löwitsch, Volker Spengler

Cameras | ARRI Cameras

Lovers: A True Story (1991)

Motion Picture | 2D | Color | 1.66:1 | 103 Minutes

Lovers: A True Story | ShotOnWhat?

Directed by | Vicente Aranda | Cinematography by | José Luis Alcaine | Editing by | Teresa Font

Starring | Victoria Abril, Jorge Sanz, Maribel Verdú, Enrique Cerro

Cameras | Panavision Cameras

Szerelmesfilm (1970)

Motion Picture | 2D | Black and White, Color | 1.66:1 | 123 Minutes

Szerelmesfilm | ShotOnWhat?

Directed by | István Szabó | Cinematography by | József Lörincz | Editing by | György Sívó

Starring | Judit Halász, András Bálint, Edit Kelemen, András Szamosfalvi

Cameras | ARRI Cameras

New York, New York (1977)

Motion Picture | 2D | Color | 1.66:1 | 155 Minutes

New York, New York | ShotOnWhat?

Directed by | Martin Scorsese | Cinematography by | László Kovács | Editing by | Bert Lovitt, David Ramirez, Tom Rolf

Starring | Liza Minnelli, Robert De Niro, Lionel Stander, Barry Primus

Cameras | Panavision Cameras

Fanny and Alexander (1982)

Motion Picture | 2D | Color | 1.66:1 | 188 Minutes

Fanny and Alexander | ShotOnWhat?

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson

Starring | Bertil Guve, Pernilla Allwin, Kristina Adolphson, Börje Ahlstedt

Cameras | ARRIFLEX 35 BL Camera

The Discreet Charm of the Bourgeoisie (1972)

Motion Picture | 2D | Color | 1.66:1 | 102 Minutes

The Discreet Charm of the Bourgeoisie | ShotOnWhat?

Directed by | Luis Buñuel | Cinematography by | Edmond Richard | Editing by | Hélène Plemiannikov

Starring | Fernando Rey, Delphine Seyrig, Paul Frankeur, Bulle Ogier

Cameras | Panavision Cameras

Police (1985)

Motion Picture | 2D | Color | 1.66:1 | 113 Minutes

Police | ShotOnWhat?

Directed by | Maurice Pialat | Cinematography by | Luciano Tovoli | Editing by | Yann Dedet

Starring | Gérard Depardieu, Sophie Marceau, Richard Anconina, Pascale Rocard

Cameras | Panavision Cameras

Sanam (2000)

Motion Picture | 2D | Color | 1.66:1 | 88 Minutes

Sanam | ShotOnWhat?

Directed by | Rafi Pitts | Cinematography by | Farhad Saba | Editing by | Hassan Hassandoost

Starring | Ghorban Ahmadi Galdi, Ismaïl Amani, Alireza Amini, Gholam Ali Amini

Cameras | ARRI Cameras

The Man Who Loved Women (1977)

Motion Picture | 2D | Black & White, Color | 1.66:1 | 120 Minutes

Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué

Starring | Charles Denner, Brigitte Fossey, Nelly Borgeaud, Geneviève Fontanel

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

The Brown Bunny (2003)

Motion Picture | 2D | Color | 1.66:1 | 93 Minutes

The Brown Bunny | ShotOnWhat?

Directed by | Vincent Gallo | Cinematography by | Vincent Gallo | Editing by | Vincent Gallo

Starring | Vincent Gallo, Chloë Sevigny, Cheryl Tiegs, Elizabeth Blake

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera

Brightness (1987)

Motion Picture | 2D | Color | 1.66:1 | 105 Minutes

Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo

Starring | Issiaka Kane, Aoua Sangare, Niamanto Sanogo, Balla Moussa Keita

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Standard Speed Prime Lenses

Aizea: City of the Wind (2001)

Short Film | 2D | Color | 1.66:1 | 29 Minutes

Directed by | Ione Hernández | Cinematography by | Daniel Aranyó | Editing by | Andrea Zondler

Starring | Laura Bayonas, Dantes Sivilla, Edwin Bourgqes, Andrew Aguayo

Cameras | ARRIFLEX 16SR2 Camera

Rear Window (1954)

Motion Picture | 2D | Color, Color | 1.66:1 | 112 Minutes

Rear Window | ShotOnWhat?

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter

Cameras | Mitchell BNC Camera

A Better Place (1997)

Motion Picture | 2D | Color | 1.66:1 | 87 Minutes

Directed by | Vincent Pereira | Cinematography by | Ian Dudley | Editing by | Vincent Pereira

Starring | Eion Bailey, Robert DiPatri, Joseph Cassese, Carmen Llywelyn

Cameras | ARRIFLEX 16SR Camera

Aces High (1976)

Motion Picture | 2D | Color | 1.66:1 | 114 Minutes

Directed by | Jack Gold | Cinematography by | Gerry Fisher | Editing by | Anne V. Coates

Starring | Malcolm McDowell, Christopher Plummer, Simon Ward, Peter Firth

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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