Distributed Aspect Ratio » 1.66:1

1.66:1 | 90 Titles

1.66:1 3.33/5 3 Votes

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Brother Bear (2003)

Motion Picture | 2D | Color | 1.66:1, 2.39:1 | 85 Minutes

Directed by | Aaron Blaise, Robert Walker | Editing by | Tim Mertens

Starring | Joaquin Phoenix, Jeremy Suarez, Rick Moranis, Jason Raize

Das Rad (2001)

Short Film | 2D | Color | 1.66:1 | 8 Minutes

Directed by | Chris Stenner, Arvid Uibel, Heidi Wittlinger | Cinematography by | Chris Stenner, Arvid Uibel, Heidi Wittlinger | Editing by | Chris Stenner, Arvid Uibel, Heidi Wittlinger

Starring | Rainer Basedow, Michael Habeck

War Photographer (2001)

Documentary | 2D | Color | 1.66:1 | 96 Minutes

Directed by | Christian Frei | Cinematography by | Peter Indergand, James Nachtwey | Editing by | Christian Frei

Starring | James Nachtwey, Christiane Amanpour, Hans-Hermann Klare, Christiane Breustedt

Cameras | Canon Cameras, Sony Cameras

Promises (2001)

Documentary | 2D | Color | 1.66:1 | 106 Minutes

Directed by | B.Z. Goldberg, Justine Shapiro, Carlos Bolado | Cinematography by | Ilan Buchbinder, Yoram Millo | Editing by | Carlos Bolado

Starring | Moishe Bar Am, B.Z. Goldberg, Shlomo Green, Sanabel Hassan

On the Waterfront (1954)

Motion Picture | 2D | Black & White | 1.37:1, 1.66:1, 1.85:1 | 108 Minutes

Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford

Starring | Marlon Brando, Karl Malden, Lee J. Cobb, Rod Steiger

Cameras | Mitchell BNC Camera

Tirez la langue, mademoiselle (2013)

Motion Picture | 2D | Color | 1.66:1 | 102 Minutes

Directed by | Axelle Ropert | Cinematography by | Céline Bozon | Editing by | François Quiqueré

Starring | Cédric Kahn, Laurent Stocker, Louise Bourgoin, Paula Denis

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens

Dr. No (1962)

Motion Picture | 2D | Color | 1.66:1, 1.85:1 | 110 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Ursula Andress, Bernard Lee, Joseph Wiseman

Cameras | Mitchell BNC Camera

The Harder They Come (1972)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.66:1 | 120 Minutes

Directed by | Perry Henzell | Cinematography by | Peter Jessop, David McDonald, Franklyn St. Juste | Editing by | Seicland Anderson, John Victor Smith, Richard White

Starring | Jimmy Cliff, Janet Bartley, Carl Bradshaw, Ras Daniel Hartman

Cameras | Canon Cameras

Giant (1956)

Motion Picture | 2D | Color | 1.66:1 | 201 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence

Starring | Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker

32A (2007)

Motion Picture | 2D | Color | 1.66:1 | 89 Minutes

32A | ShotOnWhat?

Directed by | Marian Quinn | Cinematography by | P.J. Dillon | Editing by | Rune Schweitzer

Starring | Ailish McCarthy, Sophie Jo Wasson, Orla Long, Riona Smith

Cameras | ARRI Cameras

Playing Columbine (2008)

Motion Picture | 2D | Color | 1.66:1 | 94 Minutes

Playing Columbine | ShotOnWhat?

Directed by | Danny Ledonne | Editing by | Danny Ledonne

Starring | Albert Art, Peter Baxter, Ian Bernard, Ian Bogost

Cuestión de tiempo (1988)

Motion Picture | 2D | Color | 1.36:1, 1.66:1 |

Cuestión de tiempo | ShotOnWhat?

Directed by | Elio Quiroga | Cinematography by | Silvio Cristofol

Starring | Pepín Fernández, Miguel Hernández

Cameras | ARRIFLEX 16BL Camera

A Clockwork Orange (1971)

Motion Picture | 2D | Black and White, Color | 1.66:1 | 136 Minutes

A Clockwork Orange | ShotOnWhat?

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Bill Butler

Starring | Malcolm McDowell, Patrick Magee, Michael Bates, Warren Clarke

Cameras | ARRIFLEX 35 IIC Camera, Newman Sinclair Autokine 35mm Camera

The Whistle Blower (1986)

Motion Picture | 2D | Color | 1.66:1 | 100 Minutes

The Whistle Blower | ShotOnWhat?

Directed by | Simon Langton | Cinematography by | Fred Tammes | Editing by | Bob Morgan

Starring | Michael Caine, James Fox, Nigel Havers, John Gielgud

Cameras | Panavision Cameras

That Obscure Object of Desire (1977)

Motion Picture | 2D | Color | 1.66:1 | 103 Minutes

That Obscure Object of Desire | ShotOnWhat?

Directed by | Luis Buñuel | Cinematography by | Edmond Richard | Editing by | Hélène Plemiannikov

Starring | Fernando Rey, Carole Bouquet, Ángela Molina, Julien Bertheau

Cameras | Panavision Cameras

La crise (1992)

Motion Picture | 2D | Color | 1.66:1 | 95 Minutes

La crise | ShotOnWhat?

Directed by | Coline Serreau | Cinematography by | Robert Alazraki | Editing by | Catherine Renault

Starring | Vincent Lindon, Patrick Timsit, Zabou Breitman, Maria Pacôme

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Devil, Probably (1977)

Motion Picture | 2D | Color | 1.37:1, 1.66:1 | 95 Minutes

The Devil, Probably | ShotOnWhat?

Directed by | Robert Bresson | Cinematography by | Pasqualino De Santis | Editing by | Germaine Artus

Starring | Antoine Monnier, Tina Irissari, Henri de Maublanc, Laetitia Carcano

Nous irons tous au paradis (1977)

Motion Picture | 2D | Color | 1.66:1 | 110 Minutes

Nous irons tous au paradis | ShotOnWhat?

Directed by | Yves Robert | Cinematography by | René Mathelin | Editing by | Pierre Gillette

Starring | Jean Rochefort, Claude Brasseur, Guy Bedos, Victor Lanoux

Cameras | Panavision Cameras

Full Metal Jacket (1987)

Motion Picture | 2D | Color | 1.37:1, 1.66:1, 1.85:1 | 116 Minutes

Full Metal Jacket | ShotOnWhat?

Directed by | Stanley Kubrick | Cinematography by | Douglas Milsome | Editing by | Martin Hunter

Starring | Matthew Modine, R. Lee Ermey, Vincent D'Onofrio, Adam Baldwin

Cameras | ARRIFLEX 35 BL Camera

Angi Vera (1979)

Motion Picture | 2D | Color | 1.66:1 | 96 Minutes

Angi Vera | ShotOnWhat?

Directed by | Pál Gábor | Cinematography by | Lajos Koltai | Editing by | Éva Kármentõ

Starring | Vera Pap, Erzsi Pásztor, Éva Szabó, Tamás Dunai

Cameras | ARRI Cameras

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