Color | 3927 Titles
Algorithm (2014)
Directed by | Jon Schiefer | Cinematography by | Satsuki Murashige | Editing by | Jon Schiefer
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon L Series Lenses
Ventoux (2015)
Directed by | Nicole van Kilsdonk | Cinematography by | Anton Mertens | Editing by | Moek de Groot
Cameras | ARRI ALEXA Camera
Lenses | Cooke Lenses, Cooke Speed Panchro Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses
The Hateful Eight (2015)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Violent (2014)
Directed by | Andrew Huculiak | Cinematography by | Joseph Schweers | Editing by | Joseph Schweers
Cameras | Sony NEX-FS700 Camera
Murder on a Sunday Morning (2001)
Directed by | Jean-Xavier de Lestrade | Cinematography by | Isabelle Razavet | Editing by | Ragnar Van Leyden, Pascal Vernier
Elling (2001)
Monsters, Inc. (2001)
Directed by | Pete Docter, David Silverman, Lee Unkrich | Editing by | Robert Grahamjones, Jim Stewart
Jimmy Neutron: Boy Genius (2001)
Directed by | John A. Davis | Cinematography by | Steve Kolbe, Chris Sherrod | Editing by | Gregory Perler, Jon Price
The Best of Me (2014)
Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse
Cameras | ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
An American in Paris (1951) 
The Cobbler (2014)
Directed by | Tom McCarthy | Cinematography by | W. Mott Hupfel III | Editing by | Tom McArdle
Cameras | ARRI ALEXA Plus Camera
It Follows (2014)
Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV
Cameras | ARRI ALEXA Plus Camera, Red Epic Camera
Shrek (2001)
Les cowboys (2015)
Directed by | Thomas Bidegain | Cinematography by | Arnaud Potier | Editing by | Géraldine Mangenot
Cameras | ARRI ALEXA XT Camera
Ex Machina (2014)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
The Survivalist (2015)
Directed by | Stephen Fingleton | Cinematography by | Damien Elliott | Editing by | Mark Towns
Cameras | ARRI ALEXA Plus Camera, Blackmagic Design Cameras
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses
Maggie (2015)
Jackrabbit (2015)
Directed by | Carleton Ranney | Cinematography by | Ashley Connor | Editing by | Talia Barrett, Joseph Stankus
Pitch Perfect 2 (2015)
Directed by | Elizabeth Banks | Cinematography by | Jim Denault | Editing by | Craig Alpert
Cameras | ARRI ALEXA Plus Camera
The Sting (1973)
