Log Capture Encoding | 59 Titles
Mängelexemplar (2016)
Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt
Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera
I’m Off Then (2015)
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Jamesy Boy (2014)
Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Annabelle Hooper and the Ghosts of Nantucket (2016)
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean
Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
Premaya Nam (2017)
Directed by | Kalpana Ariyawansa, Vindana Ariyawansa | Cinematography by | Jaan Shenberger | Editing by | Kalpana Ariyawansa, Jaan Shenberger
Cameras | Panasonic Lumix DMC-GH2 Camera, Sony PMW-F3 Camera
Lenses | Nikon AF NIKKOR 80-200 mm f2.8 ED Lens, Nikon Micro-NIKKOR 55 mm f3.5 Lens, Panasonic Lumix G Vario 14-42mm f3.5 Lens, Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X Pro FX 16-28 mm f2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Vivitar Series 1 28-105 mm f2.8-3.8 Macro Zoom Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens
Goodbye to All That (2014)
Directed by | Angus MacLachlan | Cinematography by | Corey Walter | Editing by | Jennifer Lilly
Cameras | ARRI ALEXA Series Cameras
Get Hard (2015)
Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale
Cameras | ARRI ALEXA XT Plus Camera
Canon USA Commercial: Rhythm of Life (2013)
Directed by | Dean Hargrove | Cinematography by | Steven Poster | Editing by | Peter Harding, Scott Sheppard
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
David and Goliath (2015)
Directed by | Timothy A. Chey | Cinematography by | Michael Richard Johnson | Editing by | S. Michael Rosen Jr., Timothy A. Chey
Cameras | Blackmagic Design Cameras
Nezha (2014)
Directed by | Xiaofeng Li | Cinematography by | Joewi Verhoeven | Editing by | Yueyue Liu
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Kelly & Cal (2014)
Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Series Lenses
Broj 55 (2014)
Directed by | Kristijan Milic | Cinematography by | Mirko Pivcevic | Editing by | Branko Schmidt, Veljko Segaric
Cameras | ARRI ALEXA Series Cameras
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Hybrids (2015)
Directed by | Tony Randel | Cinematography by | David M. Rakoczy | Editing by | Tony Randel
Cameras | Sony Cameras, Sony PMW-F3 Camera
Stranger in the House (2015)
Directed by | Devon Gummersall | Cinematography by | David Maurice Gil | Editing by | Jacob Chase
Cameras | ARRI ALEXA Series Cameras
Lenses | Panavision PVintage Prime Lenses
Before I Disappear (2014)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Andrew Napier, Damon Russell
Cameras | ARRI ALEXA Series Cameras
Lenses | Hawk V-Lite Lenses
Last Passenger (2013)
Directed by | Omid Nooshin | Cinematography by | Angus Hudson | Editing by | Joe Walker
Cameras | ARRI ALEXA Plus Camera
Impávido (2012)
Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Carlos Therón
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Kvadrat (2013)
Directed by | Anatoly K. Ivanov | Cinematography by | Anatoly K. Ivanov | Editing by | Anatoly K. Ivanov
Cameras | Canon EOS-1D Mark IV Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF Series Lenses
