Log Capture Encoding | 59 Titles
A Guerra da Beatriz (2013)
Directed by | Luigi Acquisto, Bety Reis | Cinematography by | Valeriu Campan | Editing by | Nick Calpakdjian
Cameras | Sony Cameras, Sony PMW-F3 Camera
Selfie (2014)
Directed by | Cristina Jacob | Cinematography by | Viorel Sergovici | Editing by | Ovidiu Vacaru
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark III Camera, GoPro HD Hero3 Camera, Red One MX Camera
The Heart Machine (2014)
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
All About E (2015)
Directed by | Louise Wadley | Cinematography by | Justine Kerrigan | Editing by | Rowena Crowe
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
App (2013)
Directed by | Bobby Boermans | Cinematography by | Ezra Reverda | Editing by | Brian Ent
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
Love & Hip Hop: Atlanta (2012)
| Cinematography by | Joe Stallworth, Bianca Butti, Graham Willoughby | Editing by | Mark Augustine, Anthony Rosato, Allison Anastasio, Sylvia Waliga, Amir Adelar Minder, Erik Haslett, Tyler Fausnaught, Courtney Sommers, Scott Martin, Korey Caldwell, Grisel Grullon, Avery Harvin, Michael Niemcewicz, Brendan Sherman, Joe DeShano, Wesley Swinnen, Hudie Ayalon, Mary DeChambres, David Kuriyama, Jeremy Presner, Ben Slatkin, Sosse Misserlian, Q. DeChambres, Jeff Thurlow, Mike Verna, Brian Chamberlain, Tony Gargano, Eric Moorman
Cameras | Canon Cameras
Lenses | Canon Lenses
Poison Sky (0)
Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses
Vatertage – Opa über Nacht (2012)
Directed by | Ingo Rasper | Cinematography by | Ueli Steiger | Editing by | Ueli Christen
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Frau Ella (2013)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Hemlock Grove (2013)
| Cinematography by | Fernando Argüelles, John Grillo, Steven Poster | Editing by | Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens
The Following (2013)
| Cinematography by | David S. Tuttman, William Klayer, Ramsey Nickell | Editing by | Charissa Sanjarernsuithikul, Dexter N. Adriano, Rob Seidenglanz, Matthew Colonna, Todd Desrosiers, Devon Greene, Rosanne Tan, Peter B. Ellis, Mark Manos, Viet Nguyen, Joshua Butler, Tim Tommasino
Lenses | Canon CN-E 30-300 mm T2.95 Lens
Bissige Hunde (2012)
Directed by | Alexander Eslam | Cinematography by | Carlo Jelavic | Editing by | Benjamin Entrup
Cameras | ARRI ALEXA Plus Camera, Red Epic Camera
Lenses | Zeiss Master Prime Lenses
Lilyhammer (2012)
| Cinematography by | Johan-Fredrik Bødtker, Pål Bugge Haagenrud, Jakob Ingimundarson, Anders Flatland, Gaute Gunnari, Hallgrim Haug, Håvar Karlsen | Editing by | Silje Nordseth, Charlotte Kahn, Anders Bergland, Simen Malmø, Veslemøy B. Langvik, Simen Gengenbach, Morten Rørvig, Rodrigo Stoicheff
Cameras | ARRI ALEXA Camera
A Picture of You (2013)
Directed by | J.P. Chan | Cinematography by | Andrew Reed | Editing by | Kevin Barker
Cameras | Sony PMW-F3 Camera
Lenses | Zeiss Lenses
Officer Down (2013)
Directed by | Richard Bakewell | Cinematography by | Chun Ming Huang
Cameras | Sony PMW-F3 Camera
Lenses | Cooke Speed Panchro Lenses
Gravity (2013)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Mark Sanger
Cameras | ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses | ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Dark Country (2009)
Directed by | Thomas Jane | Cinematography by | Geoff Boyle | Editing by | John Lafferty, Robert K. Lambert
Cameras | Red One Camera, Silicon Imaging SI-2K Camera
Lenses | Angenieux Lenses, Schneider Lenses
Made in New Mexico (2012)
Directed by | Brent Morris, David J. Schweitzer | Cinematography by | David J. Schweitzer | Editing by | David Aubrey, Brent Morris
Cameras | Red Digital Cinema Cameras, Sony PMW-EX3 Camera
Lenses | Cooke S4 Lenses
Hansel & Gretel: Witch Hunters (2013)
Directed by | Tommy Wirkola | Cinematography by | Michael Bonvillain | Editing by | Jim Page
Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses
