Panavision Cameras | 1609 Titles
Diary of a Wimpy Kid (2010)
Directed by | Thor Freudenthal | Cinematography by | Jack N. Green | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
Morning Glory (2010)
Directed by | Roger Michell | Cinematography by | Alwin H. Küchler | Editing by | Dan Farrell, Nick Moore, Steven Weisberg
Cameras | Panavision Panaflex Millennium Camera
The Pelican Brief (1993)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Tom Rolf, Trudy Ship
The Horse Whisperer (1998)
Directed by | Robert Redford | Cinematography by | Robert Richardson | Editing by | Hank Corwin, Freeman A. Davies, Tom Rolf
Cameras | Panavision Panaflex Platinum Camera
The Apparition (2012)
Directed by | Todd Lincoln | Cinematography by | Daniel Pearl | Editing by | Jeff Betancourt, Tom Elkins, Harold Parker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
The Adjustment Bureau (2011)
Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Sekai no chûshin de, ai o sakebu (2004)
Directed by | Isao Yukisada | Cinematography by | Noboru Shinoda | Editing by | Takeshi Imai
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Babel (2006)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
The Tourist (2010)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | John Seale | Editing by | Joe Hutshing, Patricia Rommel
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Kick-Ass (2010)
Directed by | Matthew Vaughn | Cinematography by | Ben Davis | Editing by | Eddie Hamilton, Jon Harris, Pietro Scalia
Cameras | Panavision Panaflex Millennium XL Camera
Knight and Day (2010)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Quincy Z. Gunderson, Michael McCusker
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Salt (2010)
Directed by | Phillip Noyce | Cinematography by | Robert Elswit | Editing by | Stuart Baird, John Gilroy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses
Talk to Her (2002)
Directed by | Pedro Almodóvar | Cinematography by | Javier Aguirresarobe | Editing by | José Salcedo
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot, William Hoy
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Lenses | Panavision Primo Anamorphic Lenses
Blindness (2008)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera
Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
The Tailor of Panama (2001)
Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ron Davis
Cameras | Panavision Panaflex Platinum Camera
G.I. Joe: The Rise of Cobra (2009)
Directed by | Stephen Sommers | Cinematography by | Mitchell Amundsen | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera
Ghost Rider (2007)
Directed by | Mark Steven Johnson | Cinematography by | Russell Boyd | Editing by | Richard Francis-Bruce
Cameras | Panavision Cameras
War of the Worlds (2005)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Millennium XL Camera