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ARRIFLEX 35mm Cameras | 649 Titles

ARRIFLEX 35mm Cameras 3.00/5 2 Votes

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The Curious Case of Benjamin Button (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 166 Minutes

Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall

Starring | Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

The Expendables (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb

Starring | Sylvester Stallone, Jason Statham, Jet Li, Dolph Lundgren

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Fast and the Furious (2001)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess

Starring | Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

The Cable Guy (1996)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg

Starring | Jim Carrey, Matthew Broderick, Leslie Mann, Jack Black

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses

American Horror Story (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

Transformers (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 144 Minutes

Gamer (2009)

Motion Picture | 2D, 3D | 4K Project | Color | 1.85:1 | 95 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White

Starring | Gerard Butler, Michael C. Hall, Ludacris, Amber Valletta

Cameras | ARRIFLEX 435 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Karakter (1997)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Mike van Diem | Cinematography by | Rogier Stoffers | Editing by | Jessica de Koning

Starring | Pavlik Jansen op de Haar, Jan Decleir, Fedja van Huêt, Betty Schuurman

Cameras | ARRIFLEX 35 BL4 Camera

Rocky Balboa (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 102 Minutes

Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson

Starring | Sylvester Stallone, Antonio Tarver, Milo Ventimiglia, Burt Young

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera

Lenses | Zeiss Master Prime Lenses

Hulk (2003)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 138 Minutes

Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres

Starring | Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

The Parallax View (1974)

Motion Picture | 2D | Film Project | Color | 102 Minutes

Directed by | Alan J. Pakula | Cinematography by | Gordon Willis | Editing by | John W. Wheeler

Starring | Warren Beatty, Paula Prentiss, William Daniels, Walter McGinn

Cameras | ARRIFLEX 35 IIC Camera, Panavision Silent Reflex PSR Camera

Lenses | Panavision C Series Anamorphic Lenses

Suicide Squad (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 123 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy

Starring | Will Smith, Jared Leto, Margot Robbie, Viola Davis

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Abduction (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon

Starring | Taylor Lautner, Lily Collins, Alfred Molina, Jake Andolina

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Viy (2014)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 127 Minutes

Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov

Starring | Jason Flemyng, Andrey Smolyakov, Aleksey Chadov, Agniya Ditkovskite

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Red One Camera

Four Days in September (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 110 Minutes

Directed by | Bruno Barreto | Cinematography by | Félix Monti | Editing by | Isabelle Rathery

Starring | Alan Arkin, Pedro Cardoso, Fernanda Torres, Luiz Fernando Guimarães

Cameras | ARRIFLEX 535 B Camera

It’s Only the End of the World (2016)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Xavier Dolan | Cinematography by | André Turpin | Editing by | Xavier Dolan

Starring | Gaspard Ulliel, Marion Cotillard, Léa Seydoux, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Doctor Strange (2016)

Motion Picture | 3D | Color | 1.78:1 (16x9), 2.39:1 | 115 Minutes

Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith

Starring | Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Midnight Special (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe

Starring | Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Two Cars, One Night (2004)

Short Film | 2D | Black & White | 1.85:1 | 12 Minutes

Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Owen Ferrier-Kerr

Starring | Rangi Ngamoki, Hutini Waikato, Te Ahiwaru Ngamoki-Richards, Riwai Waka

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Zeiss Ultra Prime Lenses

The Mutineer (2017)

Motion Picture | 2D | Black & White | 1.66:1 | 92 Minutes

Directed by | John Jaquish | Cinematography by | John Jaquish | Editing by | John Jaquish

Starring | Rachel McKeon, Rick Montgomery Jr., Michael Barra, Harris Doran

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

Lenses | Angenieux Retrofocus 14.5 mm f3.5 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Kinoptik Tégéa 9.8mm f1.8 Lens, Schneider Lenses, Zeiss Jena Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens

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