ARRICAM Studio (ST) Camera | 267 Titles
Bright Star (2009)
Directed by | Jane Campion | Cinematography by | Greig Fraser | Editing by | Alexandre de Franceschi
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Optica Elite Lenses
Harry Potter and the Prisoner of Azkaban (2004)
Directed by | Alfonso Cuarón | Cinematography by | Michael Seresin | Editing by | Steven Weisberg
Lenses | Cooke S4 Lenses
Les infidèles (2012)
Directed by | Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche | Cinematography by | Guillaume Schiffman | Editing by | Anny Danché, Julien Leloup
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
Terraferma (2011)
Easy Virtue (2008)
Directed by | Stephan Elliott | Cinematography by | Martin Kenzie | Editing by | Sue Blainey
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Ninja Assassin (2009)
Directed by | James McTeigue | Cinematography by | Karl Walter Lindenlaub | Editing by | Giancarlo Ganziano, Joseph Jett Sally
Lenses | Zeiss Master Prime Lenses
Kinsey (2004)
House of Flying Daggers (2004)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera
Lenses | Cooke Lenses, Zeiss Lenses
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
Pars vite et reviens tard (2007)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Brokeback Mountain (2005)
Directed by | Ang Lee | Cinematography by | Rodrigo Prieto | Editing by | Geraldine Peroni, Dylan Tichenor
Lenses | Cooke S4 Lenses
Tower Heist (2011)
The Apparition (2012)
Directed by | Todd Lincoln | Cinematography by | Daniel Pearl | Editing by | Jeff Betancourt, Tom Elkins, Harold Parker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Dorian Gray (2009)
Directed by | Oliver Parker | Cinematography by | Roger Pratt | Editing by | Guy Bensley
Lenses | Angenieux Lenses, Cooke S4 Lenses
Salmon Fishing in the Yemen (2011)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Lisa Gunning
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The American (2010)
Directed by | Anton Corbijn | Cinematography by | Martin Ruhe | Editing by | Andrew Hulme
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
I Am Number Four (2011)
Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page
Blindness (2008)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera
Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Fred Claus (2007)
Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi
Lenses | Zeiss Ultra Prime Lenses
Amarufi: Megami no hôshû (2009)
Directed by | Hiroshi Nishitani | Cinematography by | Hideo Yamamoto | Editing by | Masaaki Yamamoto
