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ARRI ALEXA Plus Camera | 90 Titles

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Last Passenger (2013)

Motion Picture | 2D | Color | 2.40:1 | 97 Minutes

Directed by | Omid Nooshin | Cinematography by | Angus Hudson | Editing by | Joe Walker

Starring | Dougray Scott, Kara Tointon, Iddo Goldberg, David Schofield

Cameras | ARRI ALEXA Plus Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Fargo (2014)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd | Editing by | Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir

Starring | Billy Bob Thornton, Martin Freeman, Allison Tolman, Colin Hanks

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses, Leitz Summilux-C Series Lenses

Selfie (2014)

Motion Picture | 2D | Color | 123 Minutes

Directed by | Cristina Jacob | Cinematography by | Viorel Sergovici | Editing by | Ovidiu Vacaru

Starring | Velea Alex, Alex Calin, Florin Calinescu, Catalin Catoiu

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark III Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses | Canon EF Series Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

App (2013)

Motion Picture | 2D | Color | 75 Minutes

Directed by | Bobby Boermans | Cinematography by | Ezra Reverda | Editing by | Brian Ent

Starring | Hannah Hoekstra, Isis Cabolet, Robert de Hoog, Mark van Eeuwen

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Ultra Prime Lenses

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Au bout du conte (2013)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Agnès Jaoui | Cinematography by | Lubomir Bakchev | Editing by | Fabrice Rouaud

Starring | Agathe Bonitzer, Agnès Jaoui, Arthur Dupont, Jean-Pierre Bacri

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Nymphomaniac: Vol. I (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1, 2.39:1 | 117 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Blood Ties (2013)

Motion Picture | 2D | Color | 127 Minutes

Directed by | Guillaume Canet | Cinematography by | Christophe Offenstein | Editing by | Hervé de Luze

Starring | Clive Owen, Marion Cotillard, Billy Crudup, Mila Kunis

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Camille redouble (2012)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler

Starring | Noémie Lvovsky, Samir Guesmi, Judith Chemla, India Hair

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Son of God (2014)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Christopher Spencer | Cinematography by | Rob Goldie | Editing by | Robert Hall

Starring | Diogo Morgado, Amber Rose Revah, Greg Hicks, Adrian Schiller

Cameras | ARRI ALEXA Plus Camera

Lenses | ARRI / Fujinon Lenses

That Awkward Moment (2014)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Tom Gormican | Cinematography by | Brandon Trost | Editing by | Shawn Paper, Greg Tillman

Starring | Zac Efron, Michael B. Jordan, Miles Teller, Imogen Poots

Cameras | ARRI ALEXA Plus Camera

Divergent (2014)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Neil Burger | Cinematography by | Alwin H. Küchler | Editing by | Richard Francis-Bruce, Nancy Richardson

Starring | Shailene Woodley, Theo James, Kate Winslet, Jai Courtney

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Vatertage – Opa über Nacht (2012)

Motion Picture | 2D | Color | 2.35:1 | 93 Minutes

Directed by | Ingo Rasper | Cinematography by | Ueli Steiger | Editing by | Ueli Christen

Starring | Sebastian Bezzel, Sarah Horvath, Monika Gruber, Mika Sieger

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Frau Ella (2013)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr

Starring | Matthias Schweighöfer, Ruth-Maria Kubitschek, August Diehl, Anna Bederke

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

The Fifth Estate (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz

Starring | Benedict Cumberbatch, Daniel Brühl, Carice van Houten, Alicia Vikander

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses

The Internship (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Shawn Levy | Cinematography by | Jonathan Brown | Editing by | Dean Zimmerman

Starring | Vince Vaughn, Owen Wilson, Rose Byrne, Aasif Mandvi

Cameras | ARRI ALEXA Plus Camera

The Purge (2013)

Motion Picture | 2D | Color | 85 Minutes

Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Peter Gvozdas

Starring | Ethan Hawke, Lena Headey, Max Burkholder, Adelaide Kane

Cameras | ARRI ALEXA Plus Camera

Godzilla (2014)

Motion Picture | 3D | Color | 123 Minutes

Directed by | Gareth Edwards | Cinematography by | Seamus McGarvey | Editing by | Bob Ducsay

Starring | Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, Ken Watanabe

Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Rush (2013)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Ron Howard | Cinematography by | Anthony Dod Mantle | Editing by | Daniel P. Hanley, Mike Hill

Starring | Daniel Brühl, Chris Hemsworth, Olivia Wilde, Alexandra Maria Lara

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

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