Cameras » Aaton Cameras

Aaton 35 I Camera : 1Aaton 35 II Camera : 1Aaton 35 mm Camera : 1Aaton 35-III Camera : 41Aaton A-Minima Camera : 23Aaton LTR 54 Camera : 2Aaton LTR Camera : 1Aaton Penelope Camera : 31Aaton Xterà Camera : 3Aaton XTR Camera : 3Aaton XTR Plus Camera : 3Aaton XTR Prod Camera : 33

Aaton Cameras | 138 Titles

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Dog Run (1996)

Motion Picture | 2D | Color | 104 Minutes

Dog Run | ShotOnWhat?

Directed by | D. Ze'ev Gilad | Cinematography by | Andrew T. Dunn | Editing by | D. Ze'ev Gilad, Brian Marc, Mary Torres

Starring | Brian Marc, Craig DuPlessis, Lisa Ristorucci, Michele Santopietro

Cameras | Aaton Cameras

Triumph of the Spirit (1989)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 120 Minutes

Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn

Starring | Willem Dafoe, Edward James Olmos, Robert Loggia, Wendy Gazelle

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Bob Roberts (1992)

Motion Picture | 2D | Color | 102 Minutes

Bob Roberts | ShotOnWhat?

Directed by | Tim Robbins | Cinematography by | Jean Lépine | Editing by | Lisa Zeno Churgin

Starring | Tim Robbins, Giancarlo Esposito, Alan Rickman, Ray Wise

Cameras | Aaton Cameras, ARRIFLEX Camera

Lenses | ARRI Lenses

Enter the Void (2009)

Motion Picture | 2D | Color | 2.39:1 | 161 Minutes

Enter the Void | ShotOnWhat?

Directed by | Gaspar Noé | Cinematography by | Benoît Debie | Editing by | Marc Boucrot, Gaspar Noé, Jérôme Pesnel

Starring | Nathaniel Brown, Paz de la Huerta, Cyril Roy, Olly Alexander

Cameras | Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Ikonoskop Cameras

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra 16 Lenses

She Hate Me (2004)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

She Hate Me | ShotOnWhat?

Directed by | Spike Lee | Cinematography by | Matthew Libatique | Editing by | Barry Alexander Brown

Starring | Anthony Mackie, Kerry Washington, Ellen Barkin, Monica Bellucci

Cameras | Aaton A-Minima Camera, ARRI Cameras

Insomnia (2002)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Insomnia | ShotOnWhat?

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn

Starring | Al Pacino, Robin Williams, Hilary Swank, Martin Donovan

Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pollock (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 122 Minutes

Directed by | Ed Harris | Cinematography by | Lisa Rinzler | Editing by | Kathryn Himoff

Starring | Ed Harris, Marcia Gay Harden, Robert Knott, Molly Regan

Cameras | Aaton Cameras, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Rundskop (2011)

Motion Picture | 2D | Color | 129 Minutes

Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Alain Dessauvage

Starring | Matthias Schoenaerts, Jeroen Perceval, Jeanne Dandoy, Barbara Sarafian

Cameras | Aaton Penelope Camera

Lenses | Zeiss Master Prime Lenses

The Motorcycle Diaries (2004)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 126 Minutes

Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende

Starring | Gael García Bernal, Rodrigo De la Serna, Mía Maestro, Mercedes Morán

Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera

Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

The Hurt Locker (2008)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9), 1.85:1 | 131 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawski

Starring | Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

The Gigolos (2006)

Motion Picture | Color | 95 Minutes

Directed by | Richard Bracewell | Cinematography by | Richard Bracewell | Editing by | Craig Cotterill

Starring | Sacha Alexander, Trevor Sather, Susannah York, Anna Massey

Cameras | Aaton XTR Plus Camera

Moonrise Kingdom (2012)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum

Starring | Jared Gilman, Kara Hayward, Bruce Willis, Bill Murray

Cameras | Aaton A-Minima Camera, Aaton Xterà Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Coeurs (2006)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Alain Resnais | Cinematography by | Eric Gautier | Editing by | Hervé de Luze, Issac Solemon

Starring | Sabine Azéma, Isabelle Carré, Laura Morante, Pierre Arditi

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision E Series Anamorphic Lenses

Where the Wild Things Are (2009)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

Where the Wild Things Are | ShotOnWhat?

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen

Starring | Max Records, Catherine O'Hara, Forest Whitaker, Pepita Emmerichs

Cameras | Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Alien: Resurrection (1997)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Darius Khondji | Editing by | Hervé Schneid

Starring | Sigourney Weaver, Winona Ryder, Dominique Pinon, Ron Perlman

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jodaeiye Nader az Simin (2011)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Asghar Farhadi | Cinematography by | Mahmoud Kalari | Editing by | Hayedeh Safiyari

Starring | Payman Maadi, Leila Hatami, Sareh Bayat, Shahab Hosseini

Cameras | Aaton 35-III Camera

Lenses | ARRI / Zeiss Lenses

Mørke sjeler (2010)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul

Starring | Johanna Gustavsson, Kristian Holter, Ida Elise Broch, Morten Rudå

Cameras | Aaton LTR 54 Camera, Aaton XTR Prod Camera, Leicina Special Camera

Saving Private Ryan (1998)

Motion Picture | 2D | Color | 1.85:1 | 169 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns

Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

35 Shots of Rum (2008)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Guy Lecorne

Starring | Alex Descas, Mati Diop, Nicole Dogué, Grégoire Colin

Cameras | Aaton 35-III Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Standard Speed Prime Lenses

Marley (2012)

Motion Picture | 2D | Color | 1.85:1 | 144 Minutes

Marley | ShotOnWhat?

Directed by | Kevin Macdonald | Cinematography by | Mike Eley, Alwin H. Küchler, Wally Pfister | Editing by | Dan Glendenning

Starring | Bob Marley, Ziggy Marley, Rita Marley, Jimmy Cliff

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, Canon EOS-5D Mark II Camera

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