Cameras » Aaton Cameras

Aaton 35 I Camera : 1Aaton 35 II Camera : 1Aaton 35 mm Camera : 1Aaton 35-III Camera : 43Aaton A-Minima Camera : 24Aaton LTR 54 Camera : 2Aaton LTR Camera : 1Aaton Penelope Camera : 31Aaton Xterà Camera : 3Aaton XTR Camera : 4Aaton XTR Plus Camera : 3Aaton XTR Prod Camera : 33

Aaton Cameras | 142 Titles

Aaton Cameras 1.00/5 2 Votes

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The Clink of Ice (2010)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier

Starring | Jean Dujardin, Albert Dupontel, Anne Alvaro, Myriam Boyer

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

United 93 (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 111 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Clare Douglas, Richard Pearson, Christopher Rouse

Starring | David Alan Basche, Olivia Thirlby, Liza Colón-Zayas, J.J. Johnson

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses, Zeiss Variable Prime Lenses

A Chronicle of Corpses (2000)

Motion Picture | 2D | Color | 1.37:1 | 83 Minutes

Directed by | Andrew Repasky McElhinney | Cinematography by | Abe Holtz | Editing by | Ron Kalish

Starring | Marj Dusay, Oliver Wyman, Margot White, Ryan Foley

Cameras | Aaton Cameras

Un amour de jeunesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Mia Hansen-Løve | Cinematography by | Stéphane Fontaine | Editing by | Marion Monnier

Starring | Lola Créton, Sebastian Urzendowsky, Magne-Håvard Brekke, Valérie Bonneton

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

28 Weeks Later (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill

Starring | Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Dog Run (1996)

Motion Picture | 2D | Color | 104 Minutes

Dog Run | ShotOnWhat?

Directed by | D. Ze'ev Gilad | Cinematography by | Andrew T. Dunn | Editing by | D. Ze'ev Gilad, Brian Marc, Mary Torres

Starring | Brian Marc, Craig DuPlessis, Lisa Ristorucci, Michele Santopietro

Cameras | Aaton Cameras

Triumph of the Spirit (1989)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 120 Minutes

Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn

Starring | Willem Dafoe, Edward James Olmos, Robert Loggia, Wendy Gazelle

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Bob Roberts (1992)

Motion Picture | 2D | Color | 102 Minutes

Bob Roberts | ShotOnWhat?

Directed by | Tim Robbins | Cinematography by | Jean Lépine | Editing by | Lisa Zeno Churgin

Starring | Tim Robbins, Giancarlo Esposito, Alan Rickman, Ray Wise

Cameras | Aaton Cameras, ARRIFLEX Camera

Lenses | ARRI Lenses

Enter the Void (2009)

Motion Picture | 2D | Color | 2.39:1 | 161 Minutes

Enter the Void | ShotOnWhat?

Directed by | Gaspar Noé | Cinematography by | Benoît Debie | Editing by | Marc Boucrot, Gaspar Noé, Jérôme Pesnel

Starring | Nathaniel Brown, Paz de la Huerta, Cyril Roy, Olly Alexander

Cameras | Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Ikonoskop Cameras

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra 16 Lenses

She Hate Me (2004)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

She Hate Me | ShotOnWhat?

Directed by | Spike Lee | Cinematography by | Matthew Libatique | Editing by | Barry Alexander Brown

Starring | Anthony Mackie, Kerry Washington, Ellen Barkin, Monica Bellucci

Cameras | Aaton A-Minima Camera, ARRI Cameras

Pollock (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 122 Minutes

Directed by | Ed Harris | Cinematography by | Lisa Rinzler | Editing by | Kathryn Himoff

Starring | Ed Harris, Marcia Gay Harden, Robert Knott, Molly Regan

Cameras | Aaton Cameras, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Rundskop (2011)

Motion Picture | 2D | Color | 129 Minutes

Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Alain Dessauvage

Starring | Matthias Schoenaerts, Jeroen Perceval, Jeanne Dandoy, Barbara Sarafian

Cameras | Aaton Penelope Camera

Lenses | Zeiss Master Prime Lenses

The Motorcycle Diaries (2004)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 126 Minutes

Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende

Starring | Gael García Bernal, Rodrigo De la Serna, Mía Maestro, Mercedes Morán

Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera

Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

The Hurt Locker (2008)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9), 1.85:1 | 131 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawski

Starring | Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

The Gigolos (2006)

Motion Picture | Color | 95 Minutes

Directed by | Richard Bracewell | Cinematography by | Richard Bracewell | Editing by | Craig Cotterill

Starring | Sacha Alexander, Trevor Sather, Susannah York, Anna Massey

Cameras | Aaton XTR Plus Camera

Moonrise Kingdom (2012)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum

Starring | Jared Gilman, Kara Hayward, Bruce Willis, Bill Murray

Cameras | Aaton A-Minima Camera, Aaton Xterà Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Coeurs (2006)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Alain Resnais | Cinematography by | Eric Gautier | Editing by | Hervé de Luze, Issac Solemon

Starring | Sabine Azéma, Isabelle Carré, Laura Morante, Pierre Arditi

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision E Series Anamorphic Lenses

Where the Wild Things Are (2009)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

Where the Wild Things Are | ShotOnWhat?

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen

Starring | Max Records, Catherine O'Hara, Forest Whitaker, Pepita Emmerichs

Cameras | Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Alien: Resurrection (1997)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Darius Khondji | Editing by | Hervé Schneid

Starring | Sigourney Weaver, Winona Ryder, Dominique Pinon, Ron Perlman

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jodaeiye Nader az Simin (2011)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Asghar Farhadi | Cinematography by | Mahmoud Kalari | Editing by | Hayedeh Safiyari

Starring | Payman Maadi, Leila Hatami, Sareh Bayat, Shahab Hosseini

Cameras | Aaton 35-III Camera

Lenses | ARRI / Zeiss Lenses

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