Aaton Cameras | 138 Titles
The Paradigm Shift (2008)
Directed by | Jon Barr | Cinematography by | Billy Bob Thompson | Editing by | Pete Kruvczuk
Cameras | Aaton A-Minima Camera, Aaton XTR Camera
Le renard et l’enfant (2007)
Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani
Boricua (2004)
Directed by | Marisol Adler | Cinematography by | Christopher Rejano | Editing by | John Farbrother, Paul Miglio
Cameras | Aaton Cameras
March of the Penguins (2005)
Directed by | Luc Jacquet | Cinematography by | Laurent Chalet, Jérôme Maison | Editing by | Sabine Emiliani
Cameras | Aaton XTR Prod Camera
The Constant Gardener (2005)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Claire Simpson
Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux HR Zoom Lenses
Lost in Translation (2003)
Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Super Speed Lenses
Friday Night (2002)
Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera
Heater (1999)
Directed by | Terrance Odette | Cinematography by | Arthur E. Cooper | Editing by | David Wharnsby
Cameras | Aaton 35 mm Camera
Thirteen (2003)
Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
Everything Moves Alone (2001)
Directed by | Mike Aransky, Thomas Edward Seymour | Cinematography by | Mike Aransky, Thomas Edward Seymour | Editing by | Mike Aransky, Philip Guerette, Thomas Edward Seymour
Cameras | Aaton XTR Camera
A Guide to Recognizing Your Saints (2006)
Directed by | Dito Montiel | Cinematography by | Eric Gautier | Editing by | Jake Pushinsky, Christopher Tellefsen
The Fighter (2010)
Blindness (2008)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera
Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
American Gun (2005)
Directed by | Aric Avelino | Cinematography by | Nancy Schreiber | Editing by | Richard Nord
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses
The Beat That My Heart Skipped (2005)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera
Lenses | Cooke S4 Lenses
Waiting for Guffman (1996)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Andy Blumenthal
Cameras | Aaton Cameras, Aaton XTR Prod Camera
I’m Not There. (2007)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Jay Rabinowitz
Cameras | Aaton LTR Camera, Moviecam Compact Camera
Trainspotting (1996)
Directed by | Danny Boyle | Cinematography by | Brian Tufano | Editing by | Masahiro Hirakubo
Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera