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Aaton Cameras  |  139 Titles

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The Moment After   (1999)

  |    |  Color  |  89 Minutes
Directed by | Wes Llewellyn | Cinematography by | Philip Hurn | Editing by | Wes Llewellyn
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10 Cent Pistol   (2014)

  |    |  Color  |  91 Minutes

Les immortels   (2003)

  |    |  98 Minutes

No Man’s Land   (2001)

  |    |    |    |  98 Minutes

The Last Magic Show   (2007)

  |  Color  |    |  90 Minutes
Directed by | Andy Conlan | Cinematography by | Duncan Cole | Editing by | Ahab Blin

The Corruptor   (1999)

  |    |    |    |  110 Minutes

City of God   (2002)

  |    |    |    |  130 Minutes

Make a Wish   (2002)

  |    |  Color  |    |  96 Minutes

The New World   (2005)

  |    |    |    |    |  135 Minutes

The Oregonian   (2011)

  |    |  Color  |  81 Minutes

Eraser   (1996)

  |    |  Color  |    |  115 Minutes

Fritt vilt   (2006)

  |    |  Color  |    |  97 Minutes

Laughing Dead   (1998)

  |    |  Color  |    |  85 Minutes
Directed by | Patrick Gleason | Cinematography by | Neal Fredericks, Tom Jensen | Editing by | Robert McFalls

Best in Show   (2000)

  |    |    |    |  90 Minutes

Calvaire   (2004)

  |    |  Color  |    |  88 Minutes

Un homme qui crie   (2010)

  |    |  Color  |    |  92 Minutes

Wicked Spring   (2002)

  |    |  Color  |    |  102 Minutes

Villa Amalia   (2009)

  |    |  Color  |    |  94 Minutes

The Guys   (2002)

  |    |  Black and White, Color  |    |  84 Minutes
Directed by | Jim Simpson | Cinematography by | Maryse Alberti | Editing by | Sarah Flack

Emmett’s Mark   (2002)

  |    |  Color  |    |  104 Minutes
Directed by | Keith Snyder | Cinematography by | Lawrence Sher | Editing by | Caroline Ross
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