Aaton Cameras | 139 Titles
The Moment After (1999)
Directed by | Wes Llewellyn | Cinematography by | Philip Hurn | Editing by | Wes Llewellyn
Cameras | Aaton Cameras
Lenses | Cooke Lenses
10 Cent Pistol (2014)
Directed by | Michael C. Martin | Cinematography by | Michael Fimognari | Editing by | Aram Nigoghossian
Cameras | Aaton XTR Prod Camera
Les immortels (2003)
Directed by | Paul Thinel | Cinematography by | Bruno Philip | Editing by | Heidi Haines
Cameras | Aaton XTR Prod Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
No Man’s Land (2001)
Directed by | Danis Tanovic | Cinematography by | Walther van den Ende | Editing by | Francesca Calvelli
Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4s Camera
Lenses | Canon Lenses, Cooke S4 Lenses
The Last Magic Show (2007)
Directed by | Andy Conlan | Cinematography by | Duncan Cole | Editing by | Ahab Blin
Cameras | Aaton Cameras, Panasonic AJ-SDX900 Camera
The Corruptor (1999)
Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith
Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
Make a Wish (2002)
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
The Oregonian (2011)
Directed by | Calvin Reeder | Cinematography by | Ryan Adams | Editing by | Buzz Pierce
Cameras | Aaton LTR 54 Camera, Bolex H16 RX4 Camera
Eraser (1996)
Fritt vilt (2006)
Directed by | Roar Uthaug | Cinematography by | Daniel Voldheim | Editing by | Jon Endre Mørk
Cameras | Aaton XTR Prod Camera
Laughing Dead (1998)
Directed by | Patrick Gleason | Cinematography by | Neal Fredericks, Tom Jensen | Editing by | Robert McFalls
Cameras | Aaton XTR Prod Camera
Best in Show (2000)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton Cameras
Calvaire (2004)
Directed by | Fabrice du Welz | Cinematography by | Benoît Debie | Editing by | Sabine Hubeaux
Cameras | Aaton A-Minima Camera
Lenses | Zeiss Ultra Prime Lenses
Un homme qui crie (2010)
Directed by | Mahamat-Saleh Haroun | Cinematography by | Laurent Brunet | Editing by | Marie-Hélène Dozo
Cameras | Aaton 35-III Camera
Wicked Spring (2002)
Directed by | Kevin R. Hershberger | Cinematography by | Stephen M. Lyons | Editing by | Sunny Zhao, George T. Kelly Jr.
Cameras | Aaton Cameras, ARRI Cameras
Villa Amalia (2009)
Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
The Guys (2002)
Directed by | Jim Simpson | Cinematography by | Maryse Alberti | Editing by | Sarah Flack
Cameras | Aaton Cameras, Panavision Cameras
Emmett’s Mark (2002)
Directed by | Keith Snyder | Cinematography by | Lawrence Sher | Editing by | Caroline Ross
Cameras | Aaton 35 I Camera, ARRIFLEX 535 B Camera