Vertical Camera Film Orientation | 1024 Titles
Boy (2010)
Directed by | Taika Waititi | Cinematography by | Adam Clark | Editing by | Chris Plummer
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera
The Secret Life of Walter Mitty (2013)
Directed by | Ben Stiller | Cinematography by | Stuart Dryburgh | Editing by | Greg Hayden
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Wolf of Wall Street (2013)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Concerto for the Earth (1992)
Directed by | Bayley Silleck | Cinematography by | Robin Vidgeon
Cameras | Cinema Products CP-65 Cameras
Jack Ryan: Shadow Recruit (2014)
Edge of Tomorrow (2014)
Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The Guilt Trip (2012)
Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Bones (2005)
| Cinematography by | Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli | Editing by | Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras | ARRIFLEX Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses
Glee (2009)
| Cinematography by | Christopher Baffa, Joaquin Sedillo, Michael Goi, Duane Mieliwocki | Editing by | Joe Leonard, Doc Crotzer, Bradley Buecker, John Roberts, Philip Harrison, Andrew Groves, Alexander Soskin, Nathan Allen, David Dean, Rich Fox, Fabienne Bouville, Jason Gourson, Ishai Setton, Zack Arnold
The Company You Keep (2012)
Directed by | Robert Redford | Cinematography by | Adriano Goldman | Editing by | Mark Day
Cameras | ARRICAM Lite (LT) Camera
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
Desperate Measures (1998)
Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy
Cameras | Panavision Panaflex Platinum Camera
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
The Butler (2013)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Spectacular Now (2013)
The Hangover Part III (2013)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher
Ain’t Them Bodies Saints (2013)
Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses
2012 (2009)
Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot
Cameras | Panavision Cameras, Panavision Genesis Camera
Treme (2010)
| Cinematography by | Ivan Strasburg, Irek Hartowicz, Tim Ives, Lisa Rinzler | Editing by | Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow
Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses
The Amazing Spider-Man 2 (2014)
Directed by | Marc Webb | Cinematography by | Dan Mindel | Editing by | Pietro Scalia
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
