Vertical Camera Film Orientation | 1024 Titles
The Incredible Burt Wonderstone (2013)
Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
NCIS (2003)
| Cinematography by | William Webb, Christos Bitsakos, Jon L. Kunkel | Editing by | Gregory Gontz, Mitchel Stanley, David C. Cook, J. Scott Harvey, Roy C. Poole, Jonathan Poirier, Randy D. Wiles, M. Edward Salier, Jon Koslowsky, Heather MacDougall, Lance Anderson, Stephen Michael, Bert Glatstein, Jordan Goldman
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera
Olympus Has Fallen (2013)
The Party (1968)
Directed by | Blake Edwards | Cinematography by | Lucien Ballard | Editing by | Ralph E. Winters
Cameras | Panavision Cameras
The Mentalist (2008)
| Cinematography by | Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe | Editing by | Christopher Cibelli, David Ekstrom, Glenn Farr, James Gadd, Joseph Butler, Anthony J. Rivard, Paul Karasick
Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Mortal Instruments: City of Bones (2013)
Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody
RED 2 (2013)
Directed by | Dean Parisot | Cinematography by | Enrique Chediak | Editing by | Don Zimmerman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Hawk V-Lite Lenses
Percy Jackson: Sea of Monsters (2013)
Now You See Me (2013)
Directed by | Louis Leterrier | Cinematography by | Mitchell Amundsen, Larry Fong | Editing by | Robert Leighton, Vincent Tabaillon
Pain & Gain (2013)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron
Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Upside Down (2012)
Directed by | Juan Solanas | Cinematography by | Pierre Gill | Editing by | Paul Jutras
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Plan 9 (2015)
Directed by | John Johnson | Cinematography by | B. Sweeney | Editing by | John Johnson, Neil Wagner
Cameras | Aaton 35-III Camera, Sony PMW-F3 Camera
Lenses | Zeiss Lenses
For Your Consideration (2006)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera
The Paperboy (2012)
Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz
Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Stay (2005)
Directed by | David Brind | Cinematography by | Kenneth Wilson II
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses
Stoker (2013)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Nicolas De Toth
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera
Liquid Bridge (2003)
Directed by | Phillip Avalon | Cinematography by | Roger Buckingham | Editing by | David Stiven
Lenses | Cooke Lenses, Zeiss Lenses
Harold & Kumar Go to White Castle (2004)
Directed by | Danny Leiner | Cinematography by | Bruce Douglas Johnson | Editing by | Jeff Betancourt
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Warm Bodies (2013)
Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson
Sound of Noise (2010)
Directed by | Ola Simonsson, Johannes Stjärne Nilsson | Cinematography by | Charlotta Tengroth | Editing by | Andreas Jonsson, Ola Simonsson, Johannes Stjärne Nilsson, Stefan Sundlöf
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses
