Digital Cinema | 1863 Titles
Night at the Museum: Secret of the Tomb (2014)
Directed by | Shawn Levy | Cinematography by | Guillermo Navarro | Editing by | Dean Zimmerman
Cameras | Red Epic Dragon Camera
Ida (2013)
Directed by | Pawel Pawlikowski | Cinematography by | Ryszard Lenczewski, Lukasz Zal | Editing by | Jaroslaw Kaminski
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Zeiss Ultra Prime Lenses
Belle (2013)
Directed by | Amma Asante | Cinematography by | Ben Smithard | Editing by | Victoria Boydell, Pia Di Ciaula
Cameras | Sony CineAlta F65 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Le temps des aveux (2014)
Directed by | Régis Wargnier | Cinematography by | Renaud Chassaing | Editing by | Véronique Lange, Yann Malcor
Cameras | ARRI ALEXA Plus Camera
Vie sauvage (2014)
Directed by | Cédric Kahn | Cinematography by | Yves Cape | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
In Darkness (2011)
Directed by | Agnieszka Holland | Cinematography by | Jolanta Dylewska | Editing by | Michal Czarnecki
Cameras | Red One Camera
Get on Up (2014)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
Citizenfour (2014)
Directed by | Laura Poitras | Cinematography by | Kirsten Johnson, Trevor Paglen, Laura Poitras, Katy Scoggin | Editing by | Mathilde Bonnefoy
Calvary (2014)
Directed by | John Michael McDonagh | Cinematography by | Larry Smith | Editing by | Chris Gill
Cameras | ARRI ALEXA Series Cameras
Cake (2014)
Directed by | Daniel Barnz | Cinematography by | Rachel Morrison | Editing by | Kristina Boden, Michelle Harrison
Cameras | ARRI ALEXA Plus 4:3 Camera
Big Eyes (2014)
Begin Again (2013)
Directed by | John Carney | Cinematography by | Yaron Orbach | Editing by | Andrew Marcus
Cameras | Red Epic Camera
American Sniper (2014)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Omar (2013)
Directed by | Hany Abu-Assad | Cinematography by | Ehab Assal | Editing by | Martin Brinkler, Eyas Salman
Cameras | ARRI ALEXA Camera
Twenty Feet from Stardom (2013)
Directed by | Morgan Neville | Cinematography by | Nicola Marsh, Graham Willoughby | Editing by | Douglas Blush, Kevin Klauber, Jason Zeldes
Cameras | Canon EOS-C300 Camera, Red Epic Camera
Dirty Wars (2013)
Directed by | Rick Rowley | Cinematography by | Rick Rowley | Editing by | David Riker, Rick Rowley
Cameras | Canon EOS-5D Mark II Camera, Panasonic Cameras
A Most Wanted Man (2014)
Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson
Cameras | ARRI ALEXA M Camera
Lenses | Zeiss Super Speed Lenses
A Most Violent Year (2014)
LFO (2013)
Directed by | Antonio Tublen | Cinematography by | Alexander Brøndsted, Linus Eklund | Editing by | Antonio Tublen
Cameras | Blackmagic Design Cameras
Pretty Little Liars (2010)
| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras | Red One MX Camera, Red Scarlet Camera
Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
