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My King (2015)

Motion Picture | 2D | Color | 124 Minutes

Directed by | Maïwenn | Cinematography by | Claire Mathon | Editing by | Simon Jacquet

Starring | Vincent Cassel, Emmanuelle Bercot, Louis Garrel, Isild Le Besco

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses

Helium (2013)

Short Film | 2D | Color | 2.39:1 | 23 Minutes

Directed by | Anders Walter | Cinematography by | Rasmus Heise | Editing by | Lars Wissing

Starring | Casper Crump, Pelle Falk Krusbæk, Marijana Jankovic

Cameras | ARRI ALEXA Camera

Jamais de la vie (2015)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Pierre Jolivet | Cinematography by | Jérôme Alméras | Editing by | Yves Deschamps

Starring | Olivier Gourmet, Valérie Bonneton, Marc Zinga, Thierry Hancisse

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses

À 14 ans (2015)

Motion Picture | 2D | Color | 86 Minutes

Directed by | Hélène Zimmer | Cinematography by | Caroline Champetier | Editing by | Yann Dedet

Starring | Athalia Routier, Galatéa Bellugi, Najaa Bensaid, Kevin Château

Cameras | ARRI ALEXA Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens

Journal d’une femme de chambre (2015)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Julia Gregory

Starring | Léa Seydoux, Vincent Lindon, Clotilde Mollet, Hervé Pierre

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Une enfance (2015)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Isabelle Devinck

Starring | Alexi Mathieu, Angelica Sarre, Pierre Deladonchamps, Jules Gauzelin

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Je vous souhaite d’être follement aimée (2015)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Ounie Lecomte | Cinematography by | Caroline Champetier | Editing by | Tina Baz

Starring | Céline Sallette, Anne Benoît, Françoise Lebrun, Elyes Aguis

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Kowa Lenses

En équilibre (2015)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Denis Dercourt | Cinematography by | Julien Hirsch | Editing by | Pauline Gaillard

Starring | Albert Dupontel, Cécile de France, Patrick Mille, Carole Franck

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens

Une mère (2015)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Christine Carrière | Cinematography by | Jeanne Lapoirie | Editing by | Martine Barraqué

Starring | Mathilde Seigner, Kacey Mottet Klein, Pierfrancesco Favino, Salomé Dewaels

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens

Boomerang (2015)

Television Series | 2D | Color |

| Cinematography by | Louis-Philippe Blain | Editing by | Claude Palardy

Starring | Marie-Thérèse Fortin, Marc Messier, Magalie Lépine Blondeau, Fabien Cloutier

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Wild (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée

Starring | Reese Witherspoon, Laura Dern, Gaby Hoffmann, Michiel Huisman

Cameras | ARRI ALEXA XT Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Under the Skin (2013)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Jonathan Glazer | Cinematography by | Daniel Landin | Editing by | Paul Watts

Starring | Scarlett Johansson, Jeremy McWilliams, Lynsey Taylor Mackay, Dougie McConnell

Cameras | ARRI ALEXA Plus Camera, one-cam Camera

Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

The Theory of Everything (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Marsh | Cinematography by | Benoît Delhomme | Editing by | Jinx Godfrey

Starring | Eddie Redmayne, Felicity Jones, Tom Prior, Sophie Perry

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

The Homesman (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi

Starring | Tommy Lee Jones, Hilary Swank, Grace Gummer, Miranda Otto

Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

The Hobbit: The Battle of the Five Armies (2014)

Motion Picture | 3D | Color | 2.39:1 | 144 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Ian McKellen, Martin Freeman, Richard Armitage, Cate Blanchett

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Zeiss Ultra Prime Lenses

The Boxtrolls (2014)

Motion Picture | 3D | Color | 1.85:1 | 96 Minutes

Directed by | Graham Annable, Anthony Stacchi | Cinematography by | John Ashlee Prat | Editing by | Edie Ichioka

Starring | Ben Kingsley, Jared Harris, Nick Frost, Richard Ayoade

Cameras | Canon EOS-5D Mark III Camera

Still Alice (2014)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Richard Glatzer, Wash Westmoreland | Cinematography by | Denis Lenoir | Editing by | Nicolas Chaudeurge

Starring | Julianne Moore, Alec Baldwin, Kristen Stewart, Kate Bosworth

Cameras | ARRI ALEXA Camera

Selma (2014)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Ava DuVernay | Cinematography by | Bradford Young | Editing by | Spencer Averick

Starring | David Oyelowo, Carmen Ejogo, Tim Roth, Lorraine Toussaint

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses

Nightcrawler (2014)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jake Gyllenhaal, Rene Russo, Bill Paxton, Riz Ahmed

Cameras | ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Rosewater (2014)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Jon Stewart | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz

Starring | Gael García Bernal, Kim Bodnia, Dimitri Leonidas, Haluk Bilginer

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

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