Celluloid | 3105 Titles
The Rite (2011)
TRON (1982)
Directed by | Steven Lisberger | Cinematography by | Bruce Logan | Editing by | Jeff Gourson
Lenses | Panavision Lenses
Downfall (2004)
Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck
Lenses | Zeiss Ultra Prime Lenses
Brightness (1987)
Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo
Cameras | ARRIFLEX 35 BL4 Camera
Beasts of the Southern Wild (2012)
Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera
Lenses | Zeiss Super Speed Lenses
An le zhan chang (1989)
Directed by | Eric Tsang | Cinematography by | Jingle Ma | Editing by | Sun-Kit Chu, Ma Kam, Chai Sek
Cameras | ARRIFLEX 35 BL4 Camera
Ah Long dik goo si (1989)
Directed by | Johnnie To | Cinematography by | Wing-Hang Wong | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Eagle Eye (2008)
Directed by | D.J. Caruso | Cinematography by | Dariusz Wolski | Editing by | Jim Page
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
D.O.A. (1988)
Directed by | Annabel Jankel, Rocky Morton | Cinematography by | Yuri Neyman | Editing by | Raja Gosnell, Michael R. Miller
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
Armored (2009)
Marie Antoinette (2006)
Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack
Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera
The Bounty (1984)
Directed by | Roger Donaldson | Cinematography by | Arthur Ibbetson | Editing by | Tony Lawson
Cameras | J-D-C Camera, Joe Dunton Cameras
The Tree of Life (2011)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Carnage (2011)
Being Julia (2004)
Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Varotal Lenses
Space Cowboys (2000)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Match Point (2005)
Bu wen sao (1992)
Directed by | Otto Chan | Cinematography by | Kin Keung Lee | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX Camera
In the Valley of Elah (2007)
Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
