Celluloid | 3105 Titles
The Place Beyond the Pines (2012)
Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane
The Loss of Sexual Innocence (1999)
Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
The Hitchhiker’s Guide to the Galaxy (2005)
Directed by | Garth Jennings | Cinematography by | Igor Jadue-Lillo | Editing by | Niven Howie
Cameras | Panavision Cameras
Lenses | Panavision Lenses
London Boulevard (2010)
Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan
The King and I (1956)
Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Lenses | Bausch & Lomb Lenses
Anything Else (2003)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Cameras | Panavision Panaflex Millennium Camera
Black Joy (1977)
Directed by | Anthony Simmons | Cinematography by | Phil Meheux | Editing by | Thom Noble
Cameras | ARRIFLEX 35 BL Camera
The Big Lebowski (1998)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Waiting Alone (2004)
Directed by | Dayyan Eng | Cinematography by | Toby Oliver | Editing by | Dayyan Eng
Cameras | ARRIFLEX 535 B Camera
Robin Hood (2010)
Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses | Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Elizabeth: The Golden Age (2007)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
The King’s Speech (2010) 
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Tariq Anwar
Lenses | Zeiss Master Prime Lenses
Hustle & Flow (2005)
Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox
Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses | Zeiss Ultra Prime Lenses
*batteries not included (1987)
Directed by | Matthew Robbins | Cinematography by | John McPherson | Editing by | Cynthia Scheider
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Blade (1998)
Directed by | Stephen Norrington | Cinematography by | Theo van de Sande | Editing by | Paul Rubell
Cameras | Moviecam Compact Camera
Mad Max (1979)
Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson
Cameras | ARRIFLEX 35 BL Camera
Lenses | Todd-AO Lenses
Big Fish (2003)
Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Mask of Zorro (1998)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble
Lenses | Cooke Lenses
How the West Was Won (1962)
Directed by | John Ford, Henry Hathaway, George Marshall, Richard Thorpe | Cinematography by | William H. Daniels, Milton R. Krasner, Charles Lang, Joseph LaShelle | Editing by | Harold F. Kress
Cameras | Cinerama Camera, Ultra Panavision 70 Camera
Lenses | Kodak Ektar 27 mm Lens, Panavision Lenses
A Soldier’s Daughter Never Cries (1998)
Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson
Cameras | Panavision Panaflex Platinum Camera
