Celluloid | 3105 Titles
The Chronicles of Narnia: Prince Caspian (2008)
Directed by | Andrew Adamson | Cinematography by | Karl Walter Lindenlaub | Editing by | Josh Campbell, Sim Evan-Jones
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Master Prime Lenses
2 Days in the Valley (1996)
Directed by | John Herzfeld | Cinematography by | Oliver Wood | Editing by | Jim Miller, Wayne Wahrman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ben-Hur (1959) 
Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth
Cameras | MGM Camera 65 Camera
The Breakfast Club (1985)
Directed by | John Hughes | Cinematography by | Thomas Del Ruth | Editing by | Dede Allen
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Est – Ouest (1999)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Hervé Schneid
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Friday the 13th (2009)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
Fast Times at Ridgemont High (1982)
Directed by | Amy Heckerling | Cinematography by | Matthew F. Leonetti | Editing by | Eric Jenkins
Cameras | Ultracam 35 Camera
Elephant (2003)
Directed by | Gus Van Sant | Cinematography by | Harris Savides | Editing by | Gus Van Sant
Lenses | Zeiss Super Speed Lenses
Old Joy (2006)
Directed by | Kelly Reichardt | Cinematography by | Peter Sillen | Editing by | Kelly Reichardt
Cameras | Aaton A-Minima Camera
Lenses | Zeiss Super Speeds Mk I Lenses
A Trip to the Moon (1902)
Directed by | Georges Méliès | Cinematography by | Théophile Michault, Lucien Tainguy | Editing by | Georges Méliès
Cameras | Lumière Cinématographe Camera
Cat’s Play (1974)
Directed by | Károly Makk | Cinematography by | János Tóth | Editing by | Additional Editor, György Sívó
Cameras | ARRIFLEX Camera
Cemetery Junction (2010)
Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli
Black Rain (1989)
Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf
Cameras | Beaulieu Cameras, Panavision Cameras
Lenses | Panavision Lenses
Sleuth (2007)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Neil Farrell
Lenses | Panavision Primo Anamorphic Lenses
Star Trek: First Contact (1996)
Directed by | Jonathan Frakes | Cinematography by | Matthew F. Leonetti | Editing by | John W. Wheeler
Shadow of the Vampire (2000)
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
Artworks (2003)
Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Lenses | Cooke Lenses
Crimson Tide (1995)
Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
Burn After Reading (2008)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera
Agent Crush (2008)
Directed by | Sean Robinson | Cinematography by | Peter Field | Editing by | David Freemantle
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
