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Crafty Apes VFX | 11 Titles

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Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

A Star Is Born (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy

Starring | Lady Gaga, Bradley Cooper, Sam Elliott, Greg Grunberg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

If Beale Street Could Talk (2018)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 119 Minutes

Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders

Starring | KiKi Layne, Stephan James, Regina King, Teyonah Parris

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses

The Ballad of Buster Scruggs (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 133 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen

Starring | Tim Blake Nelson, Willie Watson, Clancy Brown, Danny McCarthy

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Term Life (2016)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Peter Billingsley | Cinematography by | Roberto Schaefer | Editing by | Dan Lebental, Kevin Stermer

Starring | Vince Vaughn, Hailee Steinfeld, Bill Paxton, Jonathan Banks

Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera

The 33 (2015)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick

Starring | Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin

Cameras | ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Avengers: Age of Ultron (2015)

Motion Picture | 2D, 3D | Color | 2.39:1 | 141 Minutes

Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses | Panavision Primo Anamorphic Lenses

Foxcatcher (2014)

Motion Picture | 2D | Black & White, Color | 134 Minutes

Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill

Starring | Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

The Single Moms Club (2014)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy

Starring | Nia Long, Wendi McLendon-Covey, Amy Smart, Zulay Henao

Cameras | ARRI ALEXA Camera

American Hustle (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 138 Minutes

Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Crispin Struthers

Starring | Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

12 Years a Slave (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Chiwetel Ejiofor, Michael Kenneth Williams, Michael Fassbender, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

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