DTS | 1235 Titles
All About Steve (2009)
Directed by | Phil Traill | Cinematography by | Tim Suhrstedt | Editing by | Rod Dean, Virginia Katz
Cameras | Panavision Cameras
Vampires Suck (2010)
Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior
Cameras | Moviecam Compact Camera
The Cold Light of Day (2012)
Directed by | Mabrouk El Mechri | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli
Cameras | ARRIFLEX 435 Camera
Harry Potter and the Sorcerer’s Stone (2001)
Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Rainmaker (1997)
Directed by | Francis Ford Coppola | Cinematography by | John Toll | Editing by | Melissa Kent, Barry Malkin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Gran Torino (2008)
Evita (1996)
Directed by | Alan Parker | Cinematography by | Darius Khondji | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke Xtal Express Lenses
Rock of Ages (2012)
Directed by | Adam Shankman | Cinematography by | Bojan Bazelli | Editing by | Emma E. Hickox
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Alien: Resurrection (1997)
Music and Lyrics (2007)
Directed by | Marc Lawrence | Cinematography by | Xavier Grobet | Editing by | Susan E. Morse
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Amistad (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Lenses | Zeiss Super Speed Lenses
Happy-Go-Lucky (2008)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | ARRI ARRIFLEX Series Cameras
What to Expect When You’re Expecting (2012)
Directed by | Kirk Jones | Cinematography by | Xavier Grobet | Editing by | Michael Berenbaum
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
A Walk to Remember (2002)
Directed by | Adam Shankman | Cinematography by | Julio Macat | Editing by | Emma E. Hickox
Cameras | ARRI Cameras
The Wrestler (2008)
Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by | Andrew Adamson | Cinematography by | Donald McAlpine | Editing by | Sim Evan-Jones, Jim May
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Argo (2012) 
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Girl with a Pearl Earring (2003)
Directed by | Peter Webber | Cinematography by | Eduardo Serra | Editing by | Kate Evans
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
From Hell (2001)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Peter Deming | Editing by | George Bowers, Dan Lebental
End of Watch (2012)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
