DTS | 1235 Titles
When in Rome (2010)
Directed by | Mark Steven Johnson | Cinematography by | John Bailey | Editing by | Ryan Folsey, Andrew Marcus
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Arn: Tempelriddaren (2007)
Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen
Little Miss Sunshine (2006)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin
Spy Kids: All the Time in the World in 4D (2011)
Directed by | Robert Rodriguez | Cinematography by | Jimmy Lindsey, Robert Rodriguez | Editing by | Dan Zimmerman
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Red Tails (2012)
Directed by | Anthony Hemingway | Cinematography by | John B. Aronson | Editing by | Ben Burtt, Michael O'Halloran
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Bridge to Terabithia (2007)
Directed by | Gabor Csupo | Cinematography by | Michael Chapman | Editing by | John Gilbert
Cameras | Panavision Cameras
Iron Man 2 (2010)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Richard Pearson
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Bringing Out the Dead (1999)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Abraham Lincoln: Vampire Hunter (2012)
Wag the Dog (1997)
Directed by | Barry Levinson | Cinematography by | Robert Richardson | Editing by | Stu Linder
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Fright Night (2011)
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | Red One MX Camera
Lenses | Zeiss Master Prime Lenses
Good Night, and Good Luck. (2005)
Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Millennium XL Camera
Edge of Darkness (2010)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | Panavision Panaflex Platinum Camera
The Blind Side (2009)
Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi
Lenses | Zeiss Master Prime Lenses
Swordfish (2001)
2 Days in Paris (2007)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Julie Delpy
Cameras | Sony HDW-750 Camera
The Vow (2012)
Directed by | Michael Sucsy | Cinematography by | Rogier Stoffers | Editing by | Melissa Kent, Nancy Richardson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
The Island (2005)
Directed by | Michael Bay | Cinematography by | Mauro Fiore | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Cast Away (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera