Dolby | 2925 Titles
Safety Not Guaranteed (2012)
Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson
Cameras | Sony PMW-F3 Camera
Lenses | Panavision Ultra Speed MKII Lenses
Northfork (2003)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Leo Trombetta
Lenses | Panavision Primo Anamorphic Lenses
Wyatt Earp (1994)
The Fly (1986)
Directed by | David Cronenberg | Cinematography by | Mark Irwin | Editing by | Ronald Sanders
Cameras | ARRIFLEX Camera
Hot Shots! (1991)
Directed by | Jim Abrahams | Cinematography by | Bill Butler | Editing by | Jane Kurson, Eric A. Sears
Walk the Line (2005)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses
Cinderella Man (2005)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
My Brother the Devil (2012)
Directed by | Sally El Hosaini | Cinematography by | David Raedeker | Editing by | Iain Kitching
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Young Adult (2011)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Bride Wars (2009)
Directed by | Gary Winick | Cinematography by | Frederick Elmes | Editing by | Susan Littenberg
Cameras | ARRI Cameras
Bachelorette (2012)
Directed by | Leslye Headland | Cinematography by | Doug Emmett | Editing by | Jeffrey Wolf
Cameras | Red One MX Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Roseanna’s Grave (1997)
We Were Soldiers (2002)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy
Cameras | Panavision Panaflex Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
28 Weeks Later (2007)
Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill
Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera
Good Will Hunting (1997)
Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Bel Ami (2012)
Directed by | Declan Donnellan, Nick Ormerod | Cinematography by | Stefano Falivene | Editing by | Gavin Buckley, Masahiro Hirakubo
The Grandfather (1998)
Directed by | José Luis Garci | Cinematography by | Raúl Pérez Cubero | Editing by | Miguel González Sinde
Cameras | Panavision Panaflex Gold II Camera
When in Rome (2010)
Directed by | Mark Steven Johnson | Cinematography by | John Bailey | Editing by | Ryan Folsey, Andrew Marcus
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Arn: Tempelriddaren (2007)
Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen
Jûsan-nin no shikaku (2010)
Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita
Cameras | ARRI Cameras
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
