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Dolby | 2925 Titles

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Sparkle (2012)

Motion Picture | 2D | Color | 2.35:1 | 116 Minutes

Sparkle | ShotOnWhat?

Directed by | Salim Akil | Cinematography by | Anastas N. Michos | Editing by | Terilyn A. Shropshire

Starring | Jordin Sparks, Carmen Ejogo, Whitney Houston, Derek Luke

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

2 Fast 2 Furious (2003)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | John Singleton | Cinematography by | Matthew F. Leonetti | Editing by | Bruce Cannon, Dallas Puett

Starring | Paul Walker, Tyrese Gibson, Cole Hauser, Eva Mendes

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

The Piano Teacher (2001)

Motion Picture | 2D | Color | 1.85:1 | 131 Minutes

Directed by | Michael Haneke | Cinematography by | Christian Berger | Editing by | Nadine Muse, Monika Willi

Starring | Isabelle Huppert, Annie Girardot, Benoît Magimel, Susanne Lothar

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses, Cooke Varotal Lenses

Trishna (2011)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Trishna | ShotOnWhat?

Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Mags Arnold

Starring | Freida Pinto, Riz Ahmed, Mita Vasisht, Harish Khanna

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One Camera, Red One MX Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Revanche (2008)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Götz Spielmann | Cinematography by | Martin Gschlacht | Editing by | Karina Ressler

Starring | Johannes Krisch, Irina Potapenko, Andreas Lust, Ursula Strauss

Cameras | ARRI ARRIFLEX Series Cameras

Rules of Engagement (2000)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Rules of Engagement | ShotOnWhat?

Directed by | William Friedkin | Cinematography by | William A. Fraker, Nicola Pecorini | Editing by | Augie Hess

Starring | Tommy Lee Jones, Samuel L. Jackson, Guy Pearce, Ben Kingsley

Cameras | Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses | Panavision E Series Anamorphic Lenses

Assassins (1995)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 132 Minutes

Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks

Starring | Sylvester Stallone, Antonio Banderas, Julianne Moore, Anatoli Davydov

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Les acteurs (2000)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Claudine Merlin

Starring | Pierre Arditi, Josiane Balasko, Jean-Paul Belmondo, François Berléand

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Tamara Drewe (2010)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Stephen Frears | Cinematography by | Ben Davis | Editing by | Mick Audsley

Starring | Gemma Arterton, Luke Evans, Dominic Cooper, Roger Allam

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Comes a Bright Day (2012)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Comes a Bright Day | ShotOnWhat?

Directed by | Simon Aboud | Cinematography by | John Lynch | Editing by | Gavin Buckley

Starring | Timothy Spall, Imogen Poots, Craig Roberts, Ben Cura

Cameras | ARRI ALEXA Camera

Disturbia (2007)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Disturbia | ShotOnWhat?

Directed by | D.J. Caruso | Cinematography by | Rogier Stoffers | Editing by | Jim Page

Starring | Shia LaBeouf, David Morse, Carrie-Anne Moss, Sarah Roemer

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Heir Apparent: Largo Winch (2008)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Richard Marizy

Starring | Tomer Sisley, Kristin Scott Thomas, Predrag 'Miki' Manojlovic, Mélanie Thierry

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Dead Poets Society (1989)

Motion Picture | Color | 128 Minutes

Directed by | Peter Weir | Cinematography by | John Seale | Editing by | William M. Anderson

Starring | Robin Williams, Robert Sean Leonard, Ethan Hawke, Josh Charles

Cameras | Panavision Cameras

Lenses | Panavision Lenses

127 Hours (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 94 Minutes

Directed by | Danny Boyle | Cinematography by | Enrique Chediak, Anthony Dod Mantle | Editing by | Jon Harris

Starring | James Franco, Amber Tamblyn, Kate Mara, Sean Bott

Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Ultra Prime Lenses

Loverboy (2005)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Directed by | Kevin Bacon | Cinematography by | Nancy Schreiber | Editing by | David Ray

Starring | Kyra Sedgwick, Dominic Scott Kay, Campbell Scott, Kevin Bacon

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Rise of the Planet of the Apes (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | Rupert Wyatt | Cinematography by | Andrew Lesnie | Editing by | Conrad Buff IV, Mark Goldblatt

Starring | James Franco, Andy Serkis, Freida Pinto, Karin Konoval

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Wonder Boys (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 107 Minutes

Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Dede Allen

Starring | Michael Douglas, Tobey Maguire, Frances McDormand, Robert Downey Jr.

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Naked Weapon (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Siu-Tung Ching | Cinematography by | Sung Fai Choi | Editing by | Angie Lam

Starring | Anya, Maggie Q, Daniel Wu, Jewel Lee

Cameras | ARRIFLEX 435 Advanced Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Mr. Bean’s Holiday (2007)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Steve Bendelack | Cinematography by | Baz Irvine | Editing by | Tony Cranstoun

Starring | Rowan Atkinson, Willem Dafoe, Steve Pemberton, Lily Atkinson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

District 13: Ultimatum (2009)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Patrick Alessandrin | Cinematography by | Jean-François Hensgens | Editing by | Stéphane Garnier, Julien Rey

Starring | Cyril Raffaelli, David Belle, Philippe Torreton, Daniel Duval

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

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