2D | 5452 Titles
Titanic (1997) 
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, James Cameron, Richard A. Harris
Ghosts of Girlfriends Past (2009)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Green
Lenses | Panavision Primo Anamorphic Lenses
Poseidon (2006)
Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
A Dirty Shame (2004)
Directed by | John Waters | Cinematography by | Steve Gainer | Editing by | Jeffrey Wolf
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Animal Kingdom (2010)
Directed by | David Michôd | Cinematography by | Adam Arkapaw | Editing by | Luke Doolan
Cameras | Panavision Panaflex Millennium XL Camera
Jin ling shi san chai (2011)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Peicong Meng
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
The Eagle (2011)
Directed by | Kevin Macdonald | Cinematography by | Anthony Dod Mantle | Editing by | Justine Wright
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Shaun of the Dead (2004)
Directed by | Edgar Wright | Cinematography by | David M. Dunlap | Editing by | Chris Dickens
Cameras | ARRI Cameras
One for the Money (2012)
Directed by | Julie Anne Robinson | Cinematography by | Jim Whitaker | Editing by | Lisa Zeno Churgin
Gattaca (1997)
Directed by | Andrew Niccol | Cinematography by | Slawomir Idziak | Editing by | Lisa Zeno Churgin
Cameras | ARRIFLEX Camera, Moviecam Cameras
Basic (2003)
Directed by | John McTiernan | Cinematography by | Steve Mason | Editing by | George Folsey Jr.
Cameras | Panavision Panaflex Camera
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by | Andrew Dominik | Cinematography by | Roger Deakins | Editing by | Curtiss Clayton, Dylan Tichenor
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Contagion (2011)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
15 Till Midnight (2010)
Directed by | Wolfgang Meyer | Cinematography by | Daniel Lipski | Editing by | Michael Gilmore
Cameras | Red One Camera
Lenses | Cooke S4 Lenses
180º (2010)
Directed by | Fernando Kalife | Cinematography by | Eduardo Flores Torres | Editing by | Joel T. Pashby, Hughes Winborne
Cameras | ARRICAM Lite (LT) Camera
The Campaign (2012)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Craig Alpert, Jon Poll
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses
Big Mommas: Like Father, Like Son (2011)
Directed by | John Whitesell | Cinematography by | Anthony B. Richmond | Editing by | Priscilla Nedd-Friendly
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Cop Out (2010)
Neighboring Sounds (2012)
Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
Afterschool (2008)
Directed by | Antonio Campos | Cinematography by | Jody Lee Lipes | Editing by | Antonio Campos
Cameras | ARRIFLEX 535 Camera
