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2D | 5452 Titles

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28 Weeks Later (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill

Starring | Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Good Will Hunting (1997)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia

Starring | Robin Williams, Matt Damon, Ben Affleck, Stellan Skarsgård

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Grandfather (1998)

Motion Picture | 2D | Color | 151 Minutes

Directed by | José Luis Garci | Cinematography by | Raúl Pérez Cubero | Editing by | Miguel González Sinde

Starring | Fernando Fernán Gómez, Rafael Alonso, Cayetana Guillén Cuervo, Agustín González

Cameras | Panavision Panaflex Gold II Camera

When in Rome (2010)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

When in Rome | ShotOnWhat?

Directed by | Mark Steven Johnson | Cinematography by | John Bailey | Editing by | Ryan Folsey, Andrew Marcus

Starring | Kristen Bell, Josh Duhamel, Anjelica Huston, Danny DeVito

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Arn: Tempelriddaren (2007)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen

Starring | Joakim Nätterqvist, Sofia Helin, Stellan Skarsgård, Michael Nyqvist

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Les glaneurs et la glaneuse (2000)

Motion Picture | 2D | SD Project | Color | 1.33:1 (4x3) | 82 Minutes

Directed by | Agnès Varda | Cinematography by | Didier Doussin, Stéphane Krausz, Didier Rouget, Pascal Sautelet, Agnès Varda | Editing by | Jean-Baptiste Morin, Laurent Pineau, Agnès Varda

Starring | François Wertheimer, Agnès Varda, Bodan Litnanski

Cameras | Sony DCR-TRV950E Camera, Sony DSR-300 Camera

Jûsan-nin no shikaku (2010)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita

Starring | Koji Yakusho, Takayuki Yamada, Yûsuke Iseya, Ikki Sawamura

Cameras | ARRI Cameras

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

Sexy Beast (2000)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Jonathan Glazer | Cinematography by | Ivan Bird | Editing by | John Scott, Sam Sneade

Starring | Ray Winstone, Ben Kingsley, Ian McShane, Amanda Redman

Cameras | ARRI ARRIFLEX Series Cameras

Lenses | ARRI Lenses

A Better Place (1997)

Motion Picture | 2D | Color | 1.66:1 | 87 Minutes

Directed by | Vincent Pereira | Cinematography by | Ian Dudley | Editing by | Vincent Pereira

Starring | Eion Bailey, Robert DiPatri, Joseph Cassese, Carmen Llywelyn

Cameras | ARRIFLEX 16SR Camera

3 Ninjas Knuckle Up (1995)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Sang-ok Shin | Cinematography by | Eugene D. Shlugleit | Editing by | Pamela Choules

Starring | Victor Wong, Charles Napier, Michael Treanor, Max Elliott Slade

Cameras | Panavision Cameras

Lenses | Panavision Lenses

3 Needles (2005)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks

Starring | Chloë Sevigny, Lucy Liu, Shawn Ashmore, Mabel Adams

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Standard Speed Prime Lenses

Swerve (2011)

Motion Picture | 2D | Color | 2.39:1 | 86 Minutes

Directed by | Craig Lahiff | Cinematography by | David Foreman | Editing by | Sean Lahiff

Starring | Jason Clarke, Emma Booth, David Lyons, Travis McMahon

Cameras | Sony CineAlta F35 Camera

1492: Conquest of Paradise (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 154 Minutes

Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman

Starring | Gérard Depardieu, Armand Assante, Sigourney Weaver, Loren Dean

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Rabbit Hole (2010)

Motion Picture | 2D | 2K Project | Color | 91 Minutes

Directed by | John Cameron Mitchell | Cinematography by | Frank G. DeMarco | Editing by | Joe Klotz

Starring | Nicole Kidman, Aaron Eckhart, Dianne Wiest, Miles Teller

Cameras | Red One Camera

Lenses | Zeiss Standard Speed Prime Lenses

Pennies from Heaven (1981)

Motion Picture | 2D | Black and White, Color | 108 Minutes

Pennies from Heaven | ShotOnWhat?

Directed by | Herbert Ross | Cinematography by | Gordon Willis | Editing by | Richard Marks

Starring | Steve Martin, Bernadette Peters, Jessica Harper, Vernel Bagneris

Belizaire the Cajun (1986)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo

Starring | Armand Assante, Gail Youngs, Michael Schoeffling, Stephen McHattie

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Little Miss Sunshine (2006)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin

Starring | Steve Carell, Toni Collette, Greg Kinnear, Abigail Breslin

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

All My Friends Are Leaving Brisbane (2007)

Motion Picture | 2D | Color | 1.85:1 | 76 Minutes

Directed by | Louise Alston | Cinematography by | Judd Overton | Editing by | Nicola Scarrott

Starring | Charlotte Gregg, Matt Zeremes, Ryan Johnson, Cindy Nelson

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | Angenieux HR Zoom Lenses

Ransom (1996)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 121 Minutes

Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill

Starring | Mel Gibson, Gary Sinise, Rene Russo, Brawley Nolte

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Bunglers (2012)

Motion Picture | 2D | Color | 1.85:1 | 29 Minutes

The Bunglers | ShotOnWhat?

Directed by | Glenn Camhi | Cinematography by | Stephan Dalyai | Editing by | Glenn Camhi

Starring | Stephen Kearin, Tyler McClain, Floyd Van Buskirk, Brian Lohmann

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Ultra Prime Lenses

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