2D | 5452 Titles
The House Bunny (2008)
Directed by | Fred Wolf | Cinematography by | Shelly Johnson | Editing by | Debra Chiate
Cameras | Panavision Genesis Camera
Kalifornia (1993)
Directed by | Dominic Sena | Cinematography by | Bojan Bazelli | Editing by | Martin Hunter
Cameras | ARRI Cameras
Repo! The Genetic Opera (2008)
Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Harvey Rosenstock
Cameras | Panavision Genesis Camera
29th Street (1991)
Directed by | George Gallo | Cinematography by | Steven Fierberg | Editing by | Kaja Fehr
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Wanted (2008)
Directed by | Timur Bekmambetov | Cinematography by | Mitchell Amundsen | Editing by | David Brenner
L’exercice de l’État (2011)
Directed by | Pierre Schoeller | Cinematography by | Julien Hirsch | Editing by | Laurence Briaud
Cameras | ARRI ALEXA Camera
Australia (2008)
Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Dody Dorn, Michael McCusker
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Memoirs of a Geisha (2005)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Além de Ti (2013)
Directed by | João Marco | Cinematography by | João Marco | Editing by | João Marco
Cameras | Canon EOS 550D Camera
Lenses | Canon Lenses
Black Swan (2010)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Zeiss Ultra 16 Lenses
Blood Beach (1980)
Directed by | Jeffrey Bloom | Cinematography by | Steven Poster | Editing by | Gary Griffin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Haunting in Connecticut (2009)
Directed by | Peter Cornwell | Cinematography by | Adam Swica | Editing by | Tom Elkins
Cameras | Moviecam Compact Camera, Panavision Cameras
Lenses | Angenieux Optimo Zoom Lenses
Æon Flux (2005)
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
Un amour de jeunesse (2011)
Directed by | Mia Hansen-Løve | Cinematography by | Stéphane Fontaine | Editing by | Marion Monnier
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Hairspray (2007)
Directed by | Adam Shankman | Cinematography by | Bojan Bazelli | Editing by | Michael Tronick
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses
Forces spéciales (2011)
Directed by | Stéphane Rybojad | Cinematography by | David Jankowski | Editing by | Erwan Pecher, Stéphane Rybojad
Cameras | ARRI ALEXA Camera
Nanny McPhee Returns (2010)
Directed by | Susanna White | Cinematography by | Mike Eley | Editing by | Sim Evan-Jones
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
The Sweet Hereafter (1997)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Gold II Camera
Safety Not Guaranteed (2012)
Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson
Cameras | Sony PMW-F3 Camera
Lenses | Panavision Ultra Speed MKII Lenses
Northfork (2003)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Leo Trombetta
Lenses | Panavision Primo Anamorphic Lenses
