2D | 5452 Titles
TimeScapes (2012)
Directed by | Tom Lowe | Cinematography by | Tom Lowe | Editing by | Tom Lowe
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red Epic Camera, Red One MX Camera
56 Drops of Blood (2007)
Directed by | Attila Bokor | Cinematography by | András Szalai | Editing by | Tibor Szatory
Cameras | Sony HDW-F900 Camera
A League of Their Own (1992)
Directed by | Penny Marshall | Cinematography by | Miroslav Ondrícek | Editing by | Adam Bernardi, George Bowers
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Blind Side (2009)
Directed by | John Lee Hancock | Cinematography by | Alar Kivilo | Editing by | Mark Livolsi
Lenses | Zeiss Master Prime Lenses
Swordfish (2001)
2 Days in Paris (2007)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Julie Delpy
Cameras | Sony HDW-750 Camera
3 Backyards (2010)
Directed by | Eric Mendelsohn | Cinematography by | Kasper Tuxen | Editing by | Morgan Faust, Eric Mendelsohn, Jeffrey K. Miller
Cameras | Red One Camera
Lenses | Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
The Full Monty (1997)
Directed by | Peter Cattaneo | Cinematography by | John de Borman | Editing by | David Freeman, Nick Moore
Cameras | Moviecam Cameras
The Island (2005)
Directed by | Michael Bay | Cinematography by | Mauro Fiore | Editing by | Paul Rubell, Christian Wagner
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Dangerous Liaisons (1988)
Directed by | Stephen Frears | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley
Cameras | Moviecam 3N Camera
Lenses | Angenieux Lenses, Zeiss Super Speed Lenses
Cast Away (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
101 Dalmatians (1996)
Directed by | Stephen Herek | Cinematography by | Adrian Biddle | Editing by | Trudy Ship
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Ghost World (2001)
Directed by | Terry Zwigoff | Cinematography by | Affonso Beato | Editing by | Carole Kravetz Aykanian, Michael R. Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Aliens (1986)
Directed by | James Cameron | Cinematography by | Adrian Biddle | Editing by | Ray Lovejoy
Lenses | Canon K35 Prime Lenses
Couples Retreat (2009)
Directed by | Peter Billingsley | Cinematography by | Eric Alan Edwards | Editing by | Dan Lebental
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Wild Hogs (2007)
Directed by | Walt Becker | Cinematography by | Robbie Greenberg | Editing by | Christopher Greenbury, Stuart H. Pappé
Cameras | Panavision Cameras
Amour (2012)
Directed by | Michael Haneke | Cinematography by | Darius Khondji | Editing by | Nadine Muse, Monika Willi
Cameras | ARRI ALEXA Camera
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
Bob Roberts (1992)
Directed by | Tim Robbins | Cinematography by | Jean Lépine | Editing by | Lisa Zeno Churgin
Cameras | Aaton Cameras, ARRIFLEX Camera
Lenses | ARRI Lenses
Logan’s Run (1976)
Directed by | Michael Anderson | Cinematography by | Ernest Laszlo | Editing by | Bob Wyman
Cameras | ARRIFLEX Camera, Mitchell Cameras
Double Team (1997)
Directed by | Hark Tsui | Cinematography by | Peter Pau | Editing by | Bill Pankow
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
