2D | 5452 Titles
Irreversible (2002)
Directed by | Gaspar Noé | Cinematography by | Benoît Debie, Gaspar Noé | Editing by | Gaspar Noé
Cameras | Aaton A-Minima Camera
Geostorm (2017)
Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen
Cameras | Red Epic Dragon Camera
Black Narcissus (1947)
Directed by | Michael Powell, Emeric Pressburger | Cinematography by | Jack Cardiff | Editing by | Reginald Mills
Cameras | Technicolor 3-Strip Camera
The Predator (2018)
Directed by | Shane Black | Cinematography by | Larry Fong | Editing by | Harry B. Miller III
Lenses | Panavision Ultra Speed MKII Lenses
To Catch a Thief (1955)
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini
Cameras | VistaVision Cameras
Spartacus (1960)
Directed by | Stanley Kubrick | Cinematography by | Russell Metty | Editing by | Robert Lawrence, Irving Lerner
Cameras | Technirama Camera
She’s So Cold (2016)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Blackmagic Pocket Cinema Camera
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
I Think We’re Alone Now (2018)
Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses
The Big Sleep (1946)
Tess (1979)
Directed by | Roman Polanski | Cinematography by | Ghislain Cloquet, Geoffrey Unsworth | Editing by | Alastair McIntyre, Tom Priestley
Cameras | Panavision Cameras
All About Eve (1950) 
Directed by | Joseph L. Mankiewicz | Cinematography by | Milton R. Krasner | Editing by | Barbara McLean
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
WALL·E (2008)
Alien: Covenant (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses
The Post (2017)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses
Red Sparrow (2018)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Blood Cell (2019)
Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Daniel Sowter
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses
The Happy Prince (2018)
Around the World in Eighty Days (1956)
Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
