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2D | 5452 Titles

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Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Mississippi Burning (1988)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 128 Minutes

Directed by | Alan Parker | Cinematography by | Peter Biziou | Editing by | Gerry Hambling

Starring | Gene Hackman, Willem Dafoe, Frances McDormand, Brad Dourif

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Varotal Lenses, Panavision Ultra Speed MKII Lenses

Creed II (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Steven Caple Jr. | Cinematography by | Kramer Morgenthau | Editing by | Dana E. Glauberman, Saira Haider, Paul Harb

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Lenses, Zeiss Master Prime Lenses

Overlord (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans

Starring | Jovan Adepo, Wyatt Russell, Mathilde Ollivier

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision T Series Anamorphic Lenses

Paddington 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Jonathan Amos, Mark Everson

Starring | Ben Whishaw, Hugh Grant, Hugh Bonneville

Cameras | ARRI ALEXA Series Cameras

Cleopatra (1934)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | Cecil B. DeMille | Cinematography by | Victor Milner | Editing by | Anne Bauchens

Starring | Claudette Colbert, Warren William, Henry Wilcoxon

Cameras | Mitchell Standard Camera

The Hummingbird Project (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Nicolas Chaudeurge, Arthur Tarnowski

Starring | Jesse Eisenberg, Alexander Skarsgård, Salma Hayek

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite Lenses

Vartul (Circle) (2009)

Short Film | 2D | 2K Project | Color | 18 Minutes

Directed by | Santosh Ram | Cinematography by | Anand Mansukh, Pravin Mokal | Editing by | Vinod Gama Borate

Starring | Ajinkya Bhise, Rohan Choudhari, Jayesh Dikhale

Cameras | ARRIFLEX 435 Camera

Windhorse (1998)

Movie | 2D | SD Project | Color | 1.78:1 (16x9) | 97 Minutes

Directed by | Paul Wagner | Cinematography by | Steve Schecter | Editing by | Tony Black, Paul Wagner

Starring | Dadon, Jampa Kelsang, Richard Chang

Cameras | Sony DCR-VX1000, Sony DVW-700WS

Cleopatra (1963)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 192 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams

Starring | Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Doctor Zhivago (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 197 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Omar Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Skippy (1931)

Motion Picture | 2D | Film Project | Black & White | 85 Minutes

Directed by | Norman Taurog | Cinematography by | Karl Struss

Starring | Jackie Cooper, Robert Coogan, Mitzi Green

Cameras | Mitchell Cameras

Overboard (2018)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall

Starring | Eugenio Derbez, Anna Faris, Eva Longoria

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

A Letter to Three Wives (1949)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 103 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Arthur C. Miller | Editing by | J. Watson Webb Jr.

Starring | Jeanne Crain, Linda Darnell, Ann Sothern

Outlaw King (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | David Mackenzie | Cinematography by | Barry Ackroyd | Editing by | Jake Roberts

Starring | Chris Pine, Stephen Dillane, Rebecca Robin

Cameras | Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

The Story of Yuvraj and Shahajahan (2024)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 25 Minutes

Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Yogesh Bhagwat

Starring | Vinay Bhagat, Lakshmi Balaji Biradar, Laxman Biradar

Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera

Lenses | Samyang Lenses

The Treasure of the Sierra Madre (1948)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 126 Minutes

Directed by | John Huston | Cinematography by | Ted D. McCord | Editing by | Owen Marks

Starring | Humphrey Bogart, Walter Huston, Tim Holt

Cameras | Mitchell Cameras

Sunrise (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 94 Minutes

Directed by | F.W. Murnau | Cinematography by | Charles Rosher, Karl Struss | Editing by | Harold D. Schuster

Starring | George O'Brien, Janet Gaynor, Margaret Livingston

Cameras | Mitchell Standard Camera

Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

Suspiria (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano

Starring | Chloë Grace Moretz, Tilda Swinton, Doris Hick

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

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