Spain | 77 Titles
The Horsemen (1971)
Directed by | John Frankenheimer | Cinematography by | Claude Renoir, James Wong Howe | Editing by | Harold F. Kress
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Secrets of the Heart (1997)
Directed by | Montxo Armendáriz | Cinematography by | Javier Aguirresarobe | Editing by | Rosario Sáinz de Rozas
Mal de pierres (2016)
Directed by | Nicole Garcia | Cinematography by | Christophe Beaucarne | Editing by | Simon Jacquet
Cameras | Red Epic Dragon Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Risen (2016)
Directed by | Kevin Reynolds | Cinematography by | Lorenzo Senatore | Editing by | Steve Mirkovich
Cameras | ARRI ALEXA Camera
Sicarivs: the Night and the Silence (2015)
Directed by | Javier Muñoz | Cinematography by | Javier Cerdá | Editing by | Paco Díaz
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Super Speeds Mk III Lenses
7:35 de la mañana (2003)
Directed by | Nacho Vigalondo | Cinematography by | Jon D. Domínguez | Editing by | Javier Diaz Vega
10.000 Km (2014)
Directed by | Carlos Marques-Marcet | Cinematography by | Dagmar Weaver-Madsen | Editing by | Carlos Marques-Marcet, Juliana Montañés
Cameras | Red Epic Camera
Lenses | Zeiss Master Prime Lenses
La isla mínima (2014)
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Camera
El hombre de las mil caras (2016)
Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano
Cameras | ARRI ALEXA XT Plus Camera
Tenemos que hablar (2016)
Directed by | David Serrano | Cinematography by | Juan Carlos Gómez | Editing by | Alberto de Toro
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4/i Lenses
The Evil That Men Do (2015)
Directed by | Ramon Térmens | Cinematography by | Sergi Bartrolí | Editing by | Anna Térmens
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
Volver (2006)
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
One Too Many (2005)
The Tonto Woman (2008)
I’m Off Then (2015)
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Polseres vermelles (2011)
| Cinematography by | Julián Elizalde, David Valldepérez | Editing by | Liana Artigal, Regino Hernández, Xavi Carrasco, Guillermo de la Cal, Domi Parra, Luis Rico
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 30-80 mm T2.8 Lens, ARRI Macro 60mm T3.0 Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens, Zeiss Standard Prime MKII 28 mm T2.1 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Standard Prime MKII 40 mm T2.1 Lens, Zeiss Standard Prime MKII 50 mm T2.1 Lens, Zeiss Standard Prime MKII 85 mm T2.1 Lens
Lo mejor de mí (2007)
Directed by | Roser Aguilar | Cinematography by | Isaac Vila | Editing by | Bernat Vilaplana
Cameras | ARRI Cameras, ARRIFLEX 35 BL4 Camera
El desconocido (2015)
Around the World in Eighty Days (1956) 
Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
