Spain | 85 Titles
Khaita Dance (2020)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 II Camera
Lenses | Sony G Series Lenses
Arc de Barà (2016)
Directed by | JC Ceinos | Cinematography by | JC Ceinos | Editing by | JC Ceinos
Cameras | Canon EOS 600D Camera, Canon EOS Rebel T3i camera, Canon EOS-5D Mark II Camera, GoPro HERO4 Black
Capa Negra (2018)
The Night of the Virgin (2016)
Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia
Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera
Blade Runner 2049 (2017)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Game of Thrones (2011)
| Cinematography by | Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson | Editing by | Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Solo: A Star Wars Story (2018)
The Amazing Race (2001)
| Cinematography by | Peter Rieveschl, Per Larsson, Tom Cunningham, Josh Gitersonke | Editing by | Paul C. Nielsen, Julian Gomez, Andrew Kozar, Jennifer Nelson, Jacob Parsons, Eric Goldfarb, Mike Bolanowski, Ryan Leamy, Chris Dalzell, Rich Remis, Evan Finn, Andy Castor, Eric Beetner, Paolo Cascardo, Aaron M. Lewis, Jeremy Gantz, Steven J. Escobar, Andrew Frank, Jules Frazier, Steven Urrutia, Chris DiMaso, Eric Van Wagenen, Phillip Pableo, Jason Pedroza, Jon Bachmann, Trevor Frey, Tony Diaz, Matt Deitrich, Heeyeon Chang, Paul Withers, Grace Piena, Jonathan Moore, Nicole Vanderneut, Steve Mellon, James M. Smith, Katherine Griffin, Darrick Lazo, Jeff Runyan, Craig E. Serling, Hudson Smith, Tim Bartlett, Matt Antell, Tori Rodman, Byron Glickfeld, Teki Cruickshank, Eli Frankel, Scott Storm, Brian York, Damon Olney, Kinsey Beck, Noelle Debruhl, Christina Fontana, Jay Gammill, Josh Lowry, Sharmila Ariathurai, Tom McGah, Joubin Mortazavi, Rob LaLonde, Barry A. O'Brien, Adam Powell, Damien Baskette, David Dooyun Kim, Seth T. Levine, Joel Bender, Josh Belson, Conroy Browne, Fernanda Cardoso, Tenna Guthrie, Karen Smith, Danny Flynn, Josh Lennox, Marc Markley, Jason Thompson, Finian Shea Johnson, Ernesto de la O, Kathy Messer, Carrie Ansell, Paul Coyne, Clayton Halsey, Don Misraje, Brian Phillips, Michael E. Polakow, M. Edward Salier, Patrick Sayers, Michael Friedman, Chris Skopinski, Marina Catala, Edward Doty, Shari Hammerman, Mick LeGrande, Jacob Lane, Jill Pleeter, Jason Stewart, Matt Kay, Trevor Campbell, Shane Moran, Jason Groothuis, Eric Johannsen, Kelly Coskran, Hans van Riet, Zack Bell, Natalie Ebnet, Tricia Rodrigo, Eric Scott Wilson, Brooks Larson, Skip Robinson, Jimmy Giritlian, Kellen Cruden, Gary Pennington, Roderick Paramour, Ryan Morrell, Tracy Bacenas, A.G. Bealer, Heidi Scharfe, Phillip Gessert, Jennifer Barlow, Henry Harmon, Derek Vaughn, Robbie Paramor
Lawrence of Arabia (1962)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates
Cameras | Super Panavision-70 Camera
Secuestro (2016)
Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca
Cameras | ARRI ALEXA XT Plus Camera
The Sea Inside (2004)
Directed by | Alejandro Amenábar | Cinematography by | Javier Aguirresarobe | Editing by | Alejandro Amenábar
All About My Mother (1999)
Directed by | Pedro Almodóvar | Cinematography by | Affonso Beato | Editing by | José Salcedo
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Sad Hill Unearthed (2017)
Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch
Cameras | Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
El Último Suspiro (2017)
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo
Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leitz Lenses
Red Son (2016)
Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo
Cameras | Sony PMW-F55 Camera
Lenses | Zeiss Lenses
The Horsemen (1971)
Directed by | John Frankenheimer | Cinematography by | Claude Renoir, James Wong Howe | Editing by | Harold F. Kress
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Secrets of the Heart (1997)
Directed by | Montxo Armendáriz | Cinematography by | Javier Aguirresarobe | Editing by | Rosario Sáinz de Rozas
Mal de pierres (2016)
Directed by | Nicole Garcia | Cinematography by | Christophe Beaucarne | Editing by | Simon Jacquet
Cameras | Red Epic Dragon Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Risen (2016)
Directed by | Kevin Reynolds | Cinematography by | Lorenzo Senatore | Editing by | Steve Mirkovich
Cameras | ARRI ALEXA Camera