North America | 1782 Titles
Shazam! (2019)
Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller
Lenses | Zeiss Master Prime Lenses
8MM (1999)
Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens
Cameras | Beaulieu Cameras, Panavision Cameras
Lenses | Panavision Lenses
Ralph Breaks the Internet (2018)
Directed by | Phil Johnston, Rich Moore | Cinematography by | Nathan Warner | Editing by | Jeremy Milton, Fabienne Rawley
Pawn Stars (2009)
| Cinematography by | Joe Murgia, Jeff Alberts, Brian Mills, Mike Turnbull | Editing by | Grant Rogers, Matt Miller, Sean Glassman, Luke Spencer, Jimmy Higgins, Ron Douglas, Justin Barnes, Deanna Markoff, Sean Moran, David Abelson, Ian Kuhnert, Michael Weinreich, Jonathan Brown, Brandon Jennings, Angel Nieves, Duncan Adams, Nimmers Stern, David Lee, Nathan Ochiltree, James Monohan, George Sinfield, Carrie Kim, Eric Dow, Frank Bologna, Heather Spilkin, Kirven Blount, Brian Havelka, Michael Vasiliou, Scott Speed, Marisa Simpson, Mathew C. Ein, Steve Gilson, Larilyn Sanchez, Matthew Braley, Phillip Chernyak, James Machado, Lars Woodruffe, Eric Quievryn, David Schewel, Mike Kobialka, David Marcus, Greg Rogers, Mike Ennis, Toshiharu Takatsuka, David Miller, Hannah Carpenter, Jamie Klispie, Robyn Braun, Nate Pommer, Dave Solomon, Michael Brown, Paul Loomis, Arthur 'Art' Citron, Justin Rev Barns, Jessica Vale, Dmitry Torgovitsky, Teresa Cicala, Erik Zimmermann, Grant Goodman, Eric Siegelstein, Daniel Garriga, Kevin Nibley, Zsa Ho-Sang, Misha George, David Kausch, Toni Crey, Matt Sarno, Larry Tempesta, Laura Van Schendel, Jorge Velez, Michael Niemcewicz, Katriona Macnab, Bert Mains, Ari Bassin-Hill, Chris Miller, Keith Reiner, Jim Mancini, Josh Lombard, Nicholas Wiczynski, Leo Curbelo, Brian Pearson, Gregory Corwin, Laura Flynn, Paul Andriello, Arnold Branch, Justin Ciambra, Khomari Flash, Scott Silva, Tony Zajkowski, Ryan Philander
Five Feet Apart (2019)
Directed by | Justin Baldoni | Cinematography by | Frank G. DeMarco | Editing by | Angela M. Catanzaro
Cameras | ARRI AMIRA Camera
Lenses | Cooke Lenses, Cooke Spherical Lenses
Skin (2018)
The Kid Stays in the Picture (2002)
Directed by | Nanette Burstein, Brett Morgen | Cinematography by | John Bailey | Editing by | Jun Diaz
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Boxboarders! (2007)
Directed by | Rob Hedden | Cinematography by | Matthew Williams | Editing by | David L. Bertman
Cameras | Panasonic AJ-HDC27 Varicam Camera
Lenses | Canon Lenses
A Star Is Born (2018)
Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Andi Mack (2017)
| Cinematography by | Matthew Williams | Editing by | Jane Choi, Marcelo Sansevieri
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke 5/i Prime 100mm T1.4 Lens, Cooke 5/i Prime 135mm T1.4 Lens, Cooke 5/i Prime 18mm T1.4 Lens, Cooke 5/i Prime 25mm T1.4 Lens, Cooke 5/i Prime 32mm T1.4 Lens, Cooke 5/i Prime 40mm T1.4 Lens, Cooke 5/i Prime 50mm T1.4 Lens, Cooke 5/i Prime 65mm T1.4 Lens, Cooke 5/i Prime 75mm T1.4 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Pi (1998)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch
Cameras | Aaton XTR Prod Camera, Bolex H16 Camera
Lenses | Angenieux Lenses, Canon Lenses
The Shining (1980)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
Eyes Wide Shut (1999)
Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
NSync: Bigger Than Live (2001)
Directed by | John Bailey | Cinematography by | John Bailey, Matthew Williams | Editing by | Lou Angelo, Robert DeMaio, Christian Wagner
Cameras | Iwerks MSM 8870 Camera
India: Kingdom of the Tiger (2002)
Directed by | Bruce Neibaur | Cinematography by | Matthew Williams | Editing by | Jean-Marie Drot
Cameras | IMAX MSM 9802 Camera
Lenses | Hasselblad Lenses
Taxi Driver (1976)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
The Patriot (2000)
Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Time to Kill (1996)
Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp
Cameras | Panavision Panaflex Platinum Camera
If Beale Street Could Talk (2018)
Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders
Cameras | ARRI ALEXA 65 Camera
Lenses | ARRI Rental Prime DNA Lenses
A Beautiful Mind (2001) 
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
