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New Mexico | 58 Titles

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Transformers (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 144 Minutes

Gamer (2009)

Motion Picture | 2D, 3D | 4K Project | Color | 1.85:1 | 95 Minutes

Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White

Starring | Gerard Butler, Michael C. Hall, Ludacris, Amber Valletta

Cameras | ARRIFLEX 435 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Blood Father (2016)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Steven Rosenblum

Starring | Mel Gibson, Erin Moriarty, Diego Luna, Michael Parks

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

The Ridiculous 6 (2015)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Tom Costain

Starring | Adam Sandler, Terry Crews, Jorge Garcia, Taylor Lautner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Jane Got a Gun (2015)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody

Starring | Natalie Portman, Joel Edgerton, Ewan McGregor, Rodrigo Santoro

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Midnight Special (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe

Starring | Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Time That Remains (2016)

Short Film | 2D | 2K Project | Black & White, Color | 1.85:1 | 15 Minutes

Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro

Starring | Morningstar Angeline, Trey Caperton, Erik Gonzales, Joy Liesveld

Cameras | Aaton XTR Prod Camera

Lenses | Canon EC Series Lenses

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Sicario (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 121 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Emily Blunt, Josh Brolin, Benicio Del Toro, Jon Bernthal

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

A Million Ways to Die in the West (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Seth MacFarlane, Charlize Theron, Liam Neeson, Amanda Seyfried

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Cavedigger (2013)

Documentary | 2D | Color | 39 Minutes

Directed by | Jeffrey Karoff | Cinematography by | Anghel Decca | Editing by | Erin Nordstrom

Starring | Ra Paulette, Pierre Delattre, Suzanne Eliel, David Heath

Cameras | Canon Cameras

Glen Campbell: I’ll Be Me (2014)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 116 Minutes

Directed by | James Keach | Cinematography by | Alex Exline | Editing by | Elisa Bonora

Starring | Glen Campbell, Kim Campbell, Ronald Petersen, Dave Kaplan

Good Kill (2014)

Motion Picture | 2D | Color | 102 Minutes

Directed by | Andrew Niccol | Cinematography by | Amir Mokri | Editing by | Zach Staenberg

Starring | Ethan Hawke, January Jones, Zoë Kravitz, Fatima El Bahraouy

The Homesman (2014)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi

Starring | Tommy Lee Jones, Hilary Swank, Grace Gummer, Miranda Otto

Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Pursued (1947)

Motion Picture | 2D | Black & White | 101 Minutes

Directed by | Raoul Walsh | Cinematography by | James Wong Howe | Editing by | Christian Nyby

Starring | Teresa Wright, Robert Mitchum, Judith Anderson, Dean Jagger

Transcendence (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 119 Minutes

Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom

Starring | Johnny Depp, Rebecca Hall, Morgan Freeman, Cillian Murphy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Lone Survivor (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.

Starring | Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster

Cameras | Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Friendship! (2010)

Motion Picture | 2D | Color, Black and White | 110 Minutes

Friendship! | ShotOnWhat?

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer

Starring | Matthias Schweighöfer, Friedrich Mücke, Alicja Bachleda, Todd Stashwick

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

2 Guns (2013)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Baltasar Kormákur | Cinematography by | Oliver Wood | Editing by | Michael Tronick

Starring | Denzel Washington, Mark Wahlberg, Paula Patton, Bill Paxton

Cameras | Panasonic Lumix DMC-GH2 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

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