Shooting Region » Europe

Austria : 37Belarus : 2Belgium : 33Bosnia and Herzegovina : 4Channel Islands : 1Croatia : 9England : 362Faroe Islands : 1Gibraltar : 1Iceland : 22Isle of Man : 4Kosovo : 2Macedonia : 1Monaco : 6Montenegro : 1Northern Ireland : 3Norway : 19Russia : 29Scotland : 50Serbia : 6Switzerland : 26Ukraine : 11Vatican City State : 2Wales : 14

Europe | 570 Titles

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The Keep (1983)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Michael Mann | Cinematography by | Alex Thomson | Editing by | Dov Hoenig, Tony Palmer

Starring | Scott Glenn, Ian McKellen, Alberta Watson, Jürgen Prochnow

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Amadeus (1984)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 160 Minutes

Directed by | Milos Forman | Cinematography by | Miroslav Ondrícek | Editing by | Michael Chandler, T.M. Christopher, Nena Danevic

Starring | F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Roy Dotrice

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Notes on a Scandal (2006)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Richard Eyre | Cinematography by | Chris Menges | Editing by | John Bloom, Antonia Van Drimmelen

Starring | Cate Blanchett, Judi Dench, Andrew Simpson, Tom Georgeson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Est – Ouest (1999)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Hervé Schneid

Starring | Oleg Menshikov, Sandrine Bonnaire, Catherine Deneuve, Sergey Bodrov

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Cemetery Junction (2010)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli

Starring | Christian Cooke, Felicity Jones, Tom Hughes, Jack Doolan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Elizabeth: The Golden Age (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Clive Owen, Geoffrey Rush, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Troy (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 163 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess

Starring | Brad Pitt, Eric Bana, Orlando Bloom, Julian Glover

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Cooke S4 Lenses

A Dangerous Method (2011)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Michael Fassbender, Keira Knightley, Viggo Mortensen, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Billy Elliot (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson

Starring | Jamie Bell, Julie Walters, Jean Heywood, Jamie Draven

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Downfall (2004)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 156 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Bruno Ganz, Alexandra Maria Lara, Ulrich Matthes, Juliane Köhler

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Bounty (1984)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Roger Donaldson | Cinematography by | Arthur Ibbetson | Editing by | Tony Lawson

Starring | Mel Gibson, Anthony Hopkins, Laurence Olivier, Edward Fox

Cameras | J-D-C Camera, Joe Dunton Cameras

Being Julia (2004)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton

Starring | Annette Bening, Michael Gambon, Maury Chaykin, Jeremy Irons

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Varotal Lenses

Match Point (2005)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Directed by | Woody Allen | Cinematography by | Remi Adefarasin | Editing by | Alisa Lepselter

Starring | Scarlett Johansson, Jonathan Rhys Meyers, Emily Mortimer, Matthew Goode

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Breaking the Waves (1996)

Motion Picture | 2D | Color | 2.39:1 | 159 Minutes

Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn

Starring | Emily Watson, Stellan Skarsgård, Katrin Cartlidge, Jean-Marc Barr

Cameras | Moviecam Compact Camera

Lenses | Zeiss Lenses

Charlie and the Chocolate Factory (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 115 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Johnny Depp, Freddie Highmore, David Kelly, Helena Bonham Carter

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hei mao zhi ci sha Ye Li Qin (1992)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong

Starring | Jade Leung, Robin Shou, Zoltan Buday, Craig Bruhnanski

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, Cooke Lenses

A Fish Called Wanda (1988)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 108 Minutes

Directed by | Charles Crichton, John Cleese | Cinematography by | Alan Hume | Editing by | John Jympson

Starring | John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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