Americas | 1901 Titles
Million Dollar Baby (2004) 
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | Panavision Panaflex Platinum Camera
Apocalypse and the Beauty Queen (2005)
Directed by | Thomas Smugala | Cinematography by | Jeff Barklage | Editing by | Daniel Hirsh, Michael Matassa, Jack Snyder
Cameras | ARRIFLEX 35 III Camera, Moviecam 3N Camera
Lenses | Angenieux HP Zoom Lenses, Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke Speed Panchro (S1) 32mm f2.0 Lens, Cooke Speed Panchro (S1) 40mm f2.0 Lens, Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro (S1) 75mm f2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens, Cooke Zoom Lenses
The Departed (2006)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Corpse Bride (2005)
Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas
Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera
Lenses | Zeiss Ultra Prime Lenses
Mousehunt (1997)
The Rookie (1990)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses | Panavision Super Speed Lenses
Box of Moon Light (1996)
Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo
Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera
Phoenix (1998)
Directed by | Danny Cannon | Cinematography by | James L. Carter | Editing by | Zach Staenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Tripping Forward (2009)
Directed by | Marcus Nash | Cinematography by | Patrick Michael Dolan | Editing by | Eric Gustafson, Mark Hosack, Joel Viertel
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by | Callie Khouri | Cinematography by | John Bailey | Editing by | Andrew Marcus
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
A Civil Action (1998)
Directed by | Steven Zaillian | Cinematography by | Conrad L. Hall | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Platinum Camera
Bulworth (1998)
Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Robert C. Jones, Billy Weber
The 13th Warrior (1999)
Directed by | John McTiernan, Michael Crichton | Cinematography by | Peter Menzies Jr. | Editing by | John Wright
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Eat Pray Love (2010)
It’s All About Love (2003)
Directed by | Thomas Vinterberg | Cinematography by | Anthony Dod Mantle | Editing by | Valdís Óskarsdóttir
Cameras | Moviecam Superlight Camera
Lenses | Zeiss Lenses, Zeiss Ultra Prime Lenses
Barmy (2012)
Directed by | Russell Bailey | Cinematography by | Alan Vidali | Editing by | Russell Bailey
Cameras | Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
Straw Dogs (2011)
Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
61* (2001)
Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow
Cameras | ARRIFLEX 435 ES Camera
All the Real Girls (2003)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Zene Baker, Steven Gonzales
Moonlight Mile (2002)
Directed by | Brad Silberling | Cinematography by | Phedon Papamichael | Editing by | Lisa Zeno Churgin
Cameras | Panavision Panaflex Camera
