Project Resolution » 2K Project

2K Project | 552 Titles

2K Project 3.00/5 3 Votes

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Super Dark Times (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Kevin Phillips | Cinematography by | Eli Born | Editing by | Ed Yonaitis

Starring | Owen Campbell, Charlie Tahan, Elizabeth Cappuccino

Cameras | Red Epic Dragon Camera

Lenses | Cooke Anamorphic Lenses

Three Billboards Outside Ebbing, Missouri (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Jon Gregory

Starring | Frances McDormand, Woody Harrelson, Sam Rockwell

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Accountant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Gavin O'Connor | Cinematography by | Seamus McGarvey | Editing by | Richard Pearson

Starring | Ben Affleck, Anna Kendrick, J.K. Simmons

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Beguiled (2017)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 93 Minutes

Directed by | Sofia Coppola | Cinematography by | Philippe Le Sourd | Editing by | Sarah Flack

Starring | Nicole Kidman, Kirsten Dunst, Elle Fanning

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

On the Basis of Sex (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Mimi Leder | Cinematography by | Michael Grady | Editing by | Michelle Tesoro

Starring | Felicity Jones, Armie Hammer, Justin Theroux

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Thoroughbreds (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Cory Finley | Cinematography by | Lyle Vincent | Editing by | Louise Ford

Starring | Olivia Cooke, Anya Taylor-Joy, Anton Yelchin

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Old Man & the Gun (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | David Lowery | Cinematography by | Joe Anderson | Editing by | Lisa Zeno Churgin

Starring | Robert Redford, Casey Affleck, Sissy Spacek

Cameras | ARRIFLEX 416 Camera

Lenses | Canon Lenses, Cooke S4 Lenses

Wind River (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Taylor Sheridan | Cinematography by | Ben Richardson | Editing by | Gary Roach

Starring | Elizabeth Olsen, Jeremy Renner, Graham Greene

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Lenses, Zeiss Standard Speed Prime Lenses

Tully (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 95 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Stefan Grube

Starring | Charlize Theron, Mackenzie Davis, Ron Livingston

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Octopussy (1983)

Motion Picture | 2D | 2K Project | Color | 2.20:1, 2.39:1 | 131 Minutes

Directed by | John Glen | Cinematography by | Alan Hume | Editing by | Peter Davies, Henry Richardson

Starring | Roger Moore, Maud Adams, Louis Jourdan

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Casino Royale (2006)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 144 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird

Starring | Daniel Craig, Eva Green, Judi Dench, Jeffrey Wright

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

Quantum of Solace (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Molly’s Game (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Aaron Sorkin | Cinematography by | Charlotte Bruus Christensen | Editing by | Alan Baumgarten, Elliot Graham, Josh Schaeffer

Starring | Jessica Chastain, Idris Elba, Kevin Costner

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The BFG (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Mark Rylance, Ruby Barnhill, Penelope Wilton

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Game Night (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | John Francis Daley, Jonathan Goldstein | Cinematography by | Barry Peterson | Editing by | David Egan, Jamie Gross, Gregory Plotkin

Starring | Jason Bateman, Rachel McAdams, Kyle Chandler

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Red Epic Helium Camera

Lenses | Cooke S4/i Lenses

The Sisters Brothers (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Jacques Audiard | Cinematography by | Benoît Debie | Editing by | Juliette Welfling

Starring | John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses

Burma Road – Flying Tigers (2015)

Documentary | 2D | 2K Project | Color | 1.90:1 |

Directed by | Chris D. Nebe | Cinematography by | Josh Lim, Josh Miller, JJ Osbun | Editing by | Mark Grabianowski, JJ Osbun

Starring | Louis Fantasia, Chris D. Nebe

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 25mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens

The Protectors (2020)

Motion Picture | 2K Project | Color | 2.39:1 |

Directed by | Jason Piccolo | Editing by | Jason Piccolo

Starring | Max Martini, Remi Adeleke, Loren Avedon, Glann Banton

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Nikon AI-S Nikkor 50 mm f1.4 Lens, Tamron AF 17-50 mm f2.8 Lens

2030 (2024)

Short Film | 2D | 2K Project | Color | 2.39:1 | 21 Minutes

Directed by | Tim Eickhoff | Cinematography by | Tim Grau | Editing by | Tim Eickhoff, Tim Grau

Starring | Silviana Ursu, Stan Holoubek, Sebastian Prenzel

Cameras | ARRI ALEXA Plus Camera

Lenses | Red Pro Zoom 18-85 mm T2.9 Lens

The Spy Who Dumped Me (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 117 Minutes

Directed by | Susanna Fogel | Cinematography by | Barry Peterson | Editing by | Jonathan Schwartz

Starring | Justin Theroux, Kate McKinnon, Blanka Györfi-Tóth

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

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