Project Frame Rate » 24 fps Project Frame Rate

24 fps Project Frame Rate  |  418 Titles

24 fps Project Frame Rate 3.50/5 2 Votes

The Grifters   (1990)

  |    |    |    |  110 Minutes

Best in Show   (2000)

  |    |    |    |  90 Minutes

Gallipoli   (1981)

  |    |    |  110 Minutes
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | William M. Anderson
Cameras |

Heathers   (1988)

  |    |  Color  |    |  103 Minutes
Directed by | Michael Lehmann | Cinematography by | Francis Kenny | Editing by | Norman Hollyn

Next Day Air   (2009)

  |    |    |  84 Minutes

Drowning Mona   (2000)

  |    |  Color  |    |  96 Minutes

The Fast Life   (2003)

  |    |    |    |  57 Minutes

The Naked Man   (1998)

  |    |    |    |    |  98 Minutes

Crawl   (2011)

  |    |  Color  |  80 Minutes
Directed by | Paul China | Cinematography by | Brian J. Breheny | Editing by | Bin Li, John Scott
Cameras |
Lenses |

Postcards from the Future   (2007)

  |    |  Color  |    |  38 Minutes

Edward Scissorhands   (1990)

  |    |  Color  |  105 Minutes
Directed by | Tim Burton | Cinematography by | Stefan Czapsky | Editing by | Colleen Halsey, Richard Halsey
Cameras |

U2 3D   (2007)

  |    |    |    |  ,   |  85 Minutes

Stranger Than Fiction   (2006)

  |    |    |    |  113 Minutes

Tiny Furniture   (2010)

  |  Color  |  98 Minutes
Directed by | Lena Dunham | Cinematography by | Jody Lee Lipes | Editing by | Lance Edmands

Star Trek: First Contact   (1996)

  |    |    |  111 Minutes

Shadow of the Vampire   (2000)

  |    |  ,   |    |  92 Minutes

New Kids Nitro   (2011)

  |    |    |    |    |  74 Minutes

The Last Reef 3D   (2012)

  |    |  Color  |  ,   |  40 Minutes

Crank: High Voltage   (2009)

  |    |    |    |  96 Minutes

Monster’s Ball   (2001)

  |    |    |    |  111 Minutes