Sound Effects Recordist
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Sound Effects Recordist
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Sound Effects Recordist
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Sound Effects Recordist
Michael Clayton (2007)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Sound Effects Recordist
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Foley Editor
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Foley Editor
Sweet and Lowdown (1999)
Directed by: Woody Allen
Cinematography by: Fei Zhao
Edited by: Alisa Lepselter
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Supervisor
Desperate Measures (1998)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Foley Recording Engineer
Celebrity (1998)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Foley Supervisor
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Foley Mixer
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Foley Mixer
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Foley Supervisor
Deconstructing Harry (1997)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Foley Supervisor
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Foley Supervisor
The Ice Storm (1997)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Foley Mixer
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Foley Supervisor
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Supervisor
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Foley Recordist
Lone Star (1996)
Directed by: John Sayles
Cinematography by: Stuart Dryburgh
Edited by: John Sayles
Foley Supervisor
Surviving Picasso (1996)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Foley Supervisor
Girl 6 (1996)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Samuel D. Pollard
Foley Supervisor
Get on the Bus (1996)
Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales
Cameras: Aaton XTR Camera, Krasnogorsk-3 Camera
Foley Supervisor
Everyone Says I Love You (1996)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Foley Supervisor
The Perez Family (1995)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Cameras: Moviecam Compact Camera
Foley Supervisor
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Foley Supervisor
Clockers (1995)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Sam Pollard
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Foley Supervisor
Kiss of Death (1995)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Foley Supervisor
Blue in the Face (1995)
Cinematography by: Adam Holender
Edited by: Christopher Tellefsen
Foley Supervisor
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Foley Artist
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Foley Supervisor
Bullets Over Broadway (1994)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Foley Supervisor
Oleanna (1994)
Directed by: David Mamet
Cinematography by: Andrzej Sekula
Edited by: Barbara Tulliver
Foley Supervisor
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Foley Supervisor
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Foley Supervisor
Mrs. Parker and the Vicious Circle (1994)
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Suzy Elmiger
Foley Mixer / Foley Supervisor
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Foley Supervisor
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Foley Supervisor
Mad Dog and Glory (1993)
Directed by: John McNaughton
Cinematography by: Robby Müller
Foley Supervisor
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Foley Supervisor
Shining Through (1992)
Directed by: David Seltzer
Cinematography by: Jan de Bont
Edited by: Craig McKay
Foley Supervisor
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Foley Editor
Jungle Fever (1991)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Foley Editor
The Silence of the Lambs (1991)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Foley Editor
Presumed Innocent (1990)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Evan A. Lottman
Foley Editor
Miller's Crossing (1990)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Foley Editor
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Foley Editor
Mo' Better Blues (1990)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Super Speed Lenses
Sound Editor
Do the Right Thing (1989)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
First Assistant Sound Editor
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX Camera
Assistant Sound Editor
Raising Arizona (1987)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
