Colorist
A Beautiful Day in the Neighborhood (2019)
Directed by: Marielle Heller
Cinematography by: Jody Lee Lipes
Edited by: Anne McCabe
Colorist
Sorry to Bother You (2018)
Directed by: Boots Riley
Cinematography by: Doug Emmett
Edited by: Terel Gibson
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Colorist
Christine (2016)
Movie
Directed by: Antonio Campos
Cinematography by: Joe Anderson
Edited by: Sofía Subercaseaux
Cameras: ARRI ALEXA Camera
Colorist: Dailies
Manchester by the Sea (2016)
Directed by: Kenneth Lonergan
Cinematography by: Jody Lee Lipes
Edited by: Jennifer Lame
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Lenses, Canon K35 Prime Lenses
Colorist
Five Nights in Maine (2015)
Directed by: Maris Curran
Cinematography by: Sofian El Fani
Edited by: Ron Dulin
Colorist: Dailies
Runner Runner (2013)
Directed by: Brad Furman
Cinematography by: Mauro Fiore
Edited by: Jeff McEvoy
Colorist - 10 Episodes, 2012
Girls (2012)
Directed by: Lena Dunham, Jesse Peretz, Richard Shepard, Jamie Babbit, Jody Lee Lipes, Tricia Brock, Jenni Konner, Claudia Weill, Alex Karpovsky, Nisha Ganatra
Edited by: Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon
Cameras: ARRI ALEXA Camera
Colorist
'Girls' Leave Me Alone (2012)
Directed by: Richard Shepard
Cinematography by: Jody Lee Lipes
Edited by: Shawn Paper
Colorist
'Girls' Weirdos Need Girlfriends Too (2012)
Directed by: Jody Lee Lipes
Cinematography by: Matthew Santo
Edited by: Paul Zucker
Colorist
'Girls' Welcome to Bushwick a.k.a. The Crackcident (2012)
Directed by: Jody Lee Lipes
Cinematography by: Matthew Santo
Edited by: Shawn Paper
Colorist
'Girls' The Return (2012)
Directed by: Lena Dunham
Cinematography by: Jody Lee Lipes
Edited by: Paul Zucker
Colorist
'Girls' Hannah's Diary (2012)
Directed by: Richard Shepard
Cinematography by: Jody Lee Lipes
Edited by: Shawn Paper
Colorist
'Girls' Hard Being Easy (2012)
Directed by: Jesse Peretz
Cinematography by: Hernan Otaño
Edited by: Paul Zucker
Colorist
'Girls' Vagina Panic (2012)
Directed by: Lena Dunham
Cinematography by: Jody Lee Lipes
Edited by: Shawn Paper
Colorist
'Girls' All Adventurous Women Do (2012)
Directed by: Lena Dunham
Cinematography by: Jody Lee Lipes
Edited by: Paul Zucker
Colorist: Dailies / Digital Intermediate Colorist
Martha Marcy May Marlene (2011)
Directed by: Sean Durkin
Cinematography by: Jody Lee Lipes
Edited by: Zachary Stuart-Pontier
Cameras: ARRICAM Lite (LT) Camera
Colorist: High Definition Previews
MacGruber (2010)
Directed by: Jorma Taccone
Cinematography by: Brandon Trost
Edited by: Jamie Gross
Dailies Colorist: Technicolor New York
Blue Valentine (2010)
Directed by: Derek Cianfrance
Cinematography by: Andrij Parekh
Cameras: ARRIFLEX 416 Camera, Red One Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Telecine Colorist
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Colorist: Dailies
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Colorist
NY Export: Opus Jazz (2010)
Cinematography by: Jody Lee Lipes
Edited by: Zachary Stuart-Pontier
Colorist
Tiny Furniture (2010)
Directed by: Lena Dunham
Cinematography by: Jody Lee Lipes
Edited by: Lance Edmands
Cameras: Canon EOS-7D Camera
Editing System: Final Cut Pro Editing System
Digital Intermediate Dailies Colorist
Jack Goes Boating (2010)
Directed by: Philip Seymour Hoffman
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Lenses: Cooke S4 Lenses
Colorist: High Definition Dailies
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Dailies Colorist: New York
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Colorist: High Definition Dailies
Fighting (2009)
Directed by: Dito Montiel
Cinematography by: Stefan Czapsky
Dailies Colorist: New York
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Colorist: Dailies
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Colorist: High Definition Dailies
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Dailies Colorist: New York
Che: Part Two (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Dailies Colorist: USA
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Colorist: High Definition Mastering
Afterschool (2008)
Directed by: Antonio Campos
Cinematography by: Jody Lee Lipes
Edited by: Antonio Campos
Cameras: ARRIFLEX 535 Camera
Colorist: High-definition Dailies
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Colorist: High Definition Mastering
New York City Serenade (2007)
Directed by: Frank Whaley
Cinematography by: Ryan Samul
Edited by: Miran Miosic
Colorist: Dailies
August Rush (2007)
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dailies Colorist: New York
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Colorist: High Definition Dailies
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Colorist: Dailies
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Colorist
Winter Passing (2005)
Directed by: Adam Rapp
Cinematography by: Terry Stacey
Edited by: Meg Reticker
Dailies Colorist
She Hate Me (2004)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Cameras: Aaton A-Minima Camera, ARRI Cameras
