Adr Mixer / Adr Recording Engineer: Sydney
Goddess (2013)
Directed by: Mark Lamprell
Cinematography by: Damian Wyvill
Cameras: ARRI ALEXA Camera
Adr Mixer
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Foley Mixer
Killer Elite (2011)
Directed by: Gary McKendry
Cinematography by: Simon Duggan
Edited by: John Gilbert
Foley Mixer
A Few Best Men (2011)
Directed by: Stephan Elliott
Cinematography by: Stephen F. Windon
Edited by: Sue Blainey
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Adr Mixer
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Adr Mixer
Uninhabited (2010)
Directed by: Bill Bennett
Cinematography by: Lachlan Milne
Edited by: Jason Ballantine
Adr Mixer / Foley Mixer
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Foley Mixer
Another Year (2010)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Lenses: Cooke S4 Lenses
Foley Mixer
Mad Bastards (2010)
Directed by: Brendan Fletcher
Cinematography by: Allan Collins
Edited by: Claire Fletcher
Re-recording Mixer
Fortune (2009)
Directed by: Peter Scarf
Cinematography by: Christian Huguenot
Edited by: Tim Wellburn
Foley Mixer
Malice in Wonderland (2009)
Directed by: Simon Fellows
Cinematography by: Christopher Ross
Edited by: Justin Krish
Adr Mixer
Triangle (2009)
Directed by: Christopher Smith
Cinematography by: Robert Humphreys
Edited by: Stuart Gazzard
Cameras: Panavision Genesis Camera
Re-recording Mixer
Acolytes (2008)
Directed by: Jon Hewitt
Cinematography by: Mark Pugh
Edited by: Simon Martin
Cameras: Thomson Viper Camera
Foley Mixer
Happy-Go-Lucky (2008)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: ARRI ARRIFLEX Series Cameras
Foley Recordist
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Additional Sound Re-recording Mixer
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Foley Mixer
Suburban Mayhem (2006)
Directed by: Paul Goldman
Cinematography by: Robert Humphreys
Edited by: Stephen Evans
Foley Recordist
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Foley Engineer
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Foley Engineer
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Re-recording Mixer
The Crocodile Hunter: Collision Course (2002)
Directed by: John Stainton
Cinematography by: David Burr
Adr Engineer / Foley Mixer
The Bank (2001)
Directed by: Robert Connolly
Cinematography by: Tristan Milani
Edited by: Nick Meyers
Foley Engineer
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Mixer
Lantana (2001)
Directed by: Ray Lawrence
Cinematography by: Mandy Walker
Edited by: Karl Sodersten
Re-recording Mixer
Mr. Accident (2000)
Directed by: Yahoo Serious
Cinematography by: Steve Arnold
Edited by: Simon Martin
Re-recording Mixer
The Truman Show (1998)
Directed by: Peter Weir
Cinematography by: Peter Biziou
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Sound Re-recording Mixer: Australia
Oscar and Lucinda (1997)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
Sound Effects Mixer / Sound Mixer: Atmosphere
Kiss or Kill (1997)
Directed by: Bill Bennett
Cinematography by: Malcolm McCulloch
Edited by: Henry Dangar
Re-recording Mixer
The Portrait of a Lady (1996)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Re-recording Mixer
I.Q. (1994)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Jill Bilcock
Re-recording Mixer
Little Women (1994)
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Re-recording Mixer
Six Degrees of Separation (1993)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Peter Honess
Dialogue Mixer
Young Einstein (1988)
Directed by: Yahoo Serious
Cinematography by: Jeff Darling
Cameras: Panavision Cameras
Re-recording Mixer
High Tide (1987)
Directed by: Gillian Armstrong
Cinematography by: Russell Boyd
Edited by: Nicholas Beauman
Sound Mixer
The Quiet Earth (1985)
Directed by: Geoff Murphy
Cinematography by: James Bartle
Edited by: Michael Horton
Cameras: Panavision Cameras
