Visual Effects Consultant
A Cure for Wellness (2016)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Visual Effects Supervision: Morocco
Prisoners of the Sun (2013)
Directed by: Roger Christian
Cinematography by: Ed Wild
Cameras: ARRIFLEX 435 Camera, ARRIFLEX D-20 Camera
Lenses: Angenieux Optimo Zoom Lenses
Visual Effects Producer
The Devil's Double (2011)
Directed by: Lee Tamahori
Cinematography by: Sam McCurdy
Edited by: Luis Carballar
Cameras: ARRIFLEX 435 Camera, Red One Camera
Visual Effects Supervisor: Peerless Camera Company
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Visual Effects Supervisor: Pre-production
Closing the Ring (2007)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Visual Effects Supervisor
Highlander: The Source (2007)
Directed by: Brett Leonard
Cinematography by: Steve Arnold
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Visual Effects Producer: Hypnosis, London
Feardotcom (2002)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Alan Strachan
Visual Effects Supervisor: On-set
The Bunker (2001)
Directed by: Rob Green
Cinematography by: John Pardue
Edited by: Richard Milward
Digital Effects Producer
Revelation (2001)
Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd
Digital Visual Effects Supervisor
Buffalo Soldiers (2001)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith
Cameras: Panavision Cameras
Visual Effects Producer
Taliesin Jones (2000)
Directed by: Martin Duffy
Cinematography by: Tony Imi
Edited by: Jonathan Rudd
Visual Effects Supervisor
Tea with Mussolini (1999)
Directed by: Franco Zeffirelli
Cinematography by: David Watkin
Edited by: Tariq Anwar
Digital Effects Producer
Best Laid Plans (1999)
Directed by: Mike Barker
Cinematography by: Ben Seresin
Edited by: Sloane Klevin
Digital Effects Producer: Film Factory
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Producer: The Film Factory At VTR
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Producer: The Film Factory At VTR
Cousin Bette (1998)
Directed by: Des McAnuff
Cinematography by: Andrzej Sekula
Digital Effects Producer
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Effects Producer: The Film Factory At VTR
Bent (1997)
Directed by: Sean Mathias
Cinematography by: Giorgos Arvanitis
Edited by: Isabelle Lorente
Digital Effects Supervisor: Film Factory
Seven Years in Tibet (1997)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Process Photography
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Optical Cameraman
First Knight (1995)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Optical Camera Operator
Death and the Maiden (1994)
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
Optical Camera
Queen Margot (1994)
Directed by: Patrice Chéreau
Cinematography by: Philippe Rousselot
Title Designer
Double Vision (1992)
Directed by: Robert Knights
Cinematography by: Bruno de Keyzer
Edited by: Chris Wimble
Optical Cameraman
Jekyll & Hyde (1990)
Directed by: David Wickes
Cinematography by: Norman Langley
Edited by: John Shirley
Optical Cameraman
Memphis Belle (1990)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Optical Camera
A Fish Called Wanda (1988)
Cinematography by: Alan Hume
Edited by: John Jympson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Camera Operator
The Deceivers (1988)
Directed by: Nicholas Meyer
Cinematography by: Walter Lassally
Edited by: Richard Trevor
Optical Camera
Buster (1988)
Directed by: David Green
Cinematography by: Tony Imi
Edited by: Lesley Walker
Cameras: Panavision Cameras
Optical Cameraman
Hamburger Hill (1987)
Directed by: John Irvin
Cinematography by: Peter MacDonald
Edited by: Peter Tanner
Optical Effects
The Last Emperor (1987)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Lenses: Technovision Lenses
Optical Camera
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Cameras: ARRI Cameras
Optical Camera
Hope and Glory (1987)
Directed by: John Boorman
Cinematography by: Philippe Rousselot
Edited by: Ian Crafford
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Optical Cameraman
Labyrinth (1986)
Directed by: Jim Henson
Cinematography by: Alex Thomson
Edited by: John Grover
Optical Cameraman
Biggles: Adventures in Time (1986)
Directed by: John Hough
Cinematography by: Ernest Vincze
Edited by: Richard Trevor
Optical Camera Operator
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Optical Camera Operator
Little Shop of Horrors (1986)
Directed by: Frank Oz
Cinematography by: Robert Paynter
Optical Cameraman
Wild Geese II (1985)
Directed by: Peter R. Hunt
Cinematography by: Michael Reed
Edited by: Keith Palmer
Optical Camera
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
Optical Cameraman
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Optical Camera
The Chain (1984)
Directed by: Jack Gold
Cinematography by: Wolfgang Suschitzky
Edited by: Bill Blunden
Optical Camera
Scandalous (1984)
Directed by: Rob Cohen
Cinematography by: Jack Cardiff
Edited by: Michael Bradsell
Optical Effects
The Jigsaw Man (1983)
Directed by: Terence Young
Cinematography by: Freddie Francis
Edited by: Derek Trigg
