Visual Effects Consultant
A Cure for Wellness (2016)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Visual Effects Supervision: Morocco
Prisoners of the Sun (2013)
Directed by: Roger Christian
Cinematography by: Ed Wild
Cameras: ARRIFLEX 435 Camera, ARRIFLEX D-20 Camera
Lenses: Angenieux Optimo Zoom Lenses
Visual Effects Producer
The Devil's Double (2011)
Directed by: Lee Tamahori
Cinematography by: Sam McCurdy
Edited by: Luis Carballar
Cameras: ARRIFLEX 435 Camera, Red One Camera
Visual Effects Supervisor: Peerless Camera Company
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Visual Effects Supervisor: Pre-production
Closing the Ring (2007)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Visual Effects Supervisor
Highlander: The Source (2007)
Directed by: Brett Leonard
Cinematography by: Steve Arnold
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Visual Effects Producer: Hypnosis, London
Feardotcom (2002)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Alan Strachan
Visual Effects Supervisor: On-set
The Bunker (2001)
Directed by: Rob Green
Cinematography by: John Pardue
Edited by: Richard Milward
Digital Effects Producer
Revelation (2001)
Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd
Digital Visual Effects Supervisor
Buffalo Soldiers (2001)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith
Cameras: Panavision Cameras
Visual Effects Producer
Taliesin Jones (2000)
Directed by: Martin Duffy
Cinematography by: Tony Imi
Edited by: Jonathan Rudd
Visual Effects Supervisor
Tea with Mussolini (1999)
Directed by: Franco Zeffirelli
Cinematography by: David Watkin
Edited by: Tariq Anwar
Digital Effects Producer: Film Factory
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Digital Effects Producer
Best Laid Plans (1999)
Directed by: Mike Barker
Cinematography by: Ben Seresin
Edited by: Sloane Klevin
Digital Effects Producer: The Film Factory At VTR
Cousin Bette (1998)
Directed by: Des McAnuff
Cinematography by: Andrzej Sekula
Producer: The Film Factory At VTR
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Effects Producer: The Film Factory At VTR
Bent (1997)
Directed by: Sean Mathias
Cinematography by: Giorgos Arvanitis
Edited by: Isabelle Lorente
Digital Effects Supervisor: Film Factory
Seven Years in Tibet (1997)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Digital Effects Producer
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Optical Cameraman
First Knight (1995)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Process Photography
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Optical Camera
Queen Margot (1994)
Directed by: Patrice Chéreau
Cinematography by: Philippe Rousselot
Optical Camera Operator
Death and the Maiden (1994)
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
Title Designer
Double Vision (1992)
Directed by: Robert Knights
Cinematography by: Bruno de Keyzer
Edited by: Chris Wimble
Optical Cameraman
Jekyll & Hyde (1990)
Directed by: David Wickes
Cinematography by: Norman Langley
Edited by: John Shirley
Optical Cameraman
Memphis Belle (1990)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Optical Camera Operator , Optical Effects: Titles & Gun Barrel Sequence
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Optical Camera
A Fish Called Wanda (1988)
Cinematography by: Alan Hume
Edited by: John Jympson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Optical Camera
Buster (1988)
Directed by: David Green
Cinematography by: Tony Imi
Edited by: Lesley Walker
Cameras: Panavision Cameras
Optical Camera Operator
The Deceivers (1988)
Directed by: Nicholas Meyer
Cinematography by: Walter Lassally
Edited by: Richard Trevor
Optical Camera
Hope and Glory (1987)
Directed by: John Boorman
Cinematography by: Philippe Rousselot
Edited by: Ian Crafford
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Optical Cameraman
Hamburger Hill (1987)
Directed by: John Irvin
Cinematography by: Peter MacDonald
Edited by: Peter Tanner
Optical Effects
The Last Emperor (1987)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Lenses: Technovision Lenses
Optical Camera
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Optical Cameraman
Biggles: Adventures in Time (1986)
Directed by: John Hough
Cinematography by: Ernest Vincze
Edited by: Richard Trevor
Optical Camera Operator
Little Shop of Horrors (1986)
Directed by: Frank Oz
Cinematography by: Robert Paynter
Optical Camera Operator
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Optical Cameraman
Labyrinth (1986)
Directed by: Jim Henson
Cinematography by: Alex Thomson
Edited by: John Grover
Optical Camera
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
Optical Cameraman
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Optical Camera
A View to a Kill (1985)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies
Optical Cameraman
Wild Geese II (1985)
Directed by: Peter R. Hunt
Cinematography by: Michael Reed
Edited by: Keith Palmer
Optical Camera
Scandalous (1984)
Directed by: Rob Cohen
Cinematography by: Jack Cardiff
Edited by: Michael Bradsell
Optical Camera
The Chain (1984)
Directed by: Jack Gold
Cinematography by: Wolfgang Suschitzky
Edited by: Bill Blunden
Optical Effects
The Jigsaw Man (1983)
Directed by: Terence Young
Cinematography by: Freddie Francis
Edited by: Derek Trigg
Optical Camera
Never Say Never Again (1983)
Directed by: Irvin Kershner
Cinematography by: Douglas Slocombe
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
