Dubbing Stage Engineer
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Stage Engineer: Todd AO West
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Sound Stage Engineer
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Stage Engineer
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Re-recording Stage Engineer: Todd-AO West
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Sound Re-recording Engineer
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Sound Mixing Technician
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Re-recording Engineer
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Sound Re-recording Engineer
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Sound Mix Engineer
Operation: Endgame (2010)
Directed by: Fouad Mikati
Cinematography by: Arnaud Stefani
Edited by: Joshua Ferrazzano
Dubbing Stage Engineer
Shrink (2009)
Directed by: Jonas Pate
Edited by: Luis Carballar
Cameras: Panavision Cameras
Dubbing Stage Engineer
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Additional Sound Recordist
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Additional Sound Services
Bobby (2006)
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Sound Re-recording Engineer
Starter for 10 (2006)
Directed by: Tom Vaughan
Cinematography by: Ashley Rowe
Chief Engineer
Stranger Than Fiction (2006)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Sound Mix Engineer
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Sound Recordist
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Re-recording Engineer
Runaway Jury (2003)
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Re-recording Engineer
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Re-recording Engineer
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Sound Engineer
There's Something About Mary (1998)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Sound Recordist
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Rerecording Engineer
The Vanishing (1993)
Directed by: George Sluizer
Cinematography by: Peter Suschitzky
Edited by: Bruce Green
Stage Engineer
Undercover Blues (1993)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Priscilla Nedd-Friendly
Stage Engineer: Skywalker Sound
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stage Engineer: Skywalker Sound
Raising Cain (1992)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Stage Engineer
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera