Aldric La'auli Porter

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The Queen's Gambit | ShotOnWhat?

First Assistant Director - 6 Episodes, 2020

The Queen's Gambit (2020)

Directed by: Scott Frank

Cinematography by: Steven Meizler

Edited by: Michelle Tesoro

Cameras: Red Monstro 8K Camera

Lenses: Zeiss Supreme Prime Series Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Co-producer, First Assistant Director

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Hunger Games | ShotOnWhat?

Co-producer, First Assistant Director

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Machine Gun Preacher | ShotOnWhat?

First Assistant Director

Machine Gun Preacher (2011)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Spacecam Aerial Cameras

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens

We Bought a Zoo | ShotOnWhat?

Co-producer, First Assistant Director

We Bought a Zoo (2011)

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

How Do You Know | ShotOnWhat?

Co-producer, First Assistant Director

How Do You Know (2010)

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

You Don't Mess with the Zohan | ShotOnWhat?

Associate Producer, First Assistant Director

You Don't Mess with the Zohan (2008)

Directed by: Dennis Dugan

Cinematography by: Michael Barrett

Edited by: Tom Costain

Cameras: Panavision Genesis Camera

The Secret Life of Bees | ShotOnWhat?

Co-producer, First Assistant Director

The Secret Life of Bees (2008)

Directed by: Gina Prince-Bythewood

Cinematography by: Rogier Stoffers

Edited by: Terilyn A. Shropshire

Flirting with Forty | ShotOnWhat?

First Assistant Director: Hawaii

Flirting with Forty (2008)

Television Movie

Directed by: Mikael Salomon

Cinematography by: Jon Joffin

Edited by: Scott Vickrey

Monster House | ShotOnWhat?

First Assistant Director , Motion Capture Associate Producer

Monster House (2006)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Fabienne Rawley, Adam P. Scott

Spanglish | ShotOnWhat?

Co-producer, First Assistant Director

Spanglish (2004)

Directed by: James L. Brooks

Cinematography by: John Seale

Edited by: Richard Marks, Tia Nolan

The Cat in the Hat | ShotOnWhat?

Associate Producer, First Assistant Director

The Cat in the Hat (2003)

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Dr. Dolittle 2 | ShotOnWhat?

Associate Producer, First Assistant Director

Dr. Dolittle 2 (2001)

Directed by: Steve Carr

Cinematography by: Daryn Okada

Edited by: Craig Herring

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

A Beautiful Mind | ShotOnWhat?

Associate Producer, First Assistant Director

A Beautiful Mind (2001)

Directed by: Ron Howard

Cinematography by: Roger Deakins

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

How the Grinch Stole Christmas | ShotOnWhat?

Associate Producer, First Assistant Director

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Best in Show | ShotOnWhat?

First Assistant Director: Los Angeles

Best in Show (2000)

Directed by: Christopher Guest

Cinematography by: Roberto Schaefer

Edited by: Robert Leighton

Cameras: Aaton Cameras

Lenses: Canon Lenses, Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Edtv | ShotOnWhat?

Associate Producer, First Assistant Director

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

As Good as It Gets | ShotOnWhat?

Associate Producer, First Assistant Director

As Good as It Gets (1997)

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ransom | ShotOnWhat?

Associate Producer, First Assistant Director

Ransom (1996)

Directed by: Ron Howard

Cinematography by: Piotr Sobocinski

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Larger Than Life | ShotOnWhat?

First Assistant Director: Second Unit

Larger Than Life (1996)

Directed by: Howard Franklin

Cinematography by: Elliot Davis

Edited by: Sidney Levin

Apollo 13 | ShotOnWhat?

Associate Producer, First Assistant Director

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

True Lies | ShotOnWhat?

First Assistant Director

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

The Paper | ShotOnWhat?

Associate Producer, First Assistant Director

The Paper (1994)

Directed by: Ron Howard

Cinematography by: John Seale

Edited by: Daniel P. Hanley, Mike Hill

Far and Away | ShotOnWhat?

First Assistant Director

Far and Away (1992)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses

Backdraft | ShotOnWhat?

First Assistant Director

Backdraft (1991)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Black Rain | ShotOnWhat?

First Assistant Director

Black Rain (1989)

Directed by: Ridley Scott

Cinematography by: Jan de Bont

Edited by: Tom Rolf

Cameras: Beaulieu Cameras, Panavision Cameras

Lenses: Panavision Lenses

Casualties of War | ShotOnWhat?

First Assistant Director: San Francisco

Casualties of War (1989)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Bill Pankow

Cameras: Panavision Panaflex Lightweight Camera

Lenses: Panavision C Series Anamorphic Lenses

Chances Are | ShotOnWhat?

First Assistant Director: Washington D.C.

Chances Are (1989)

Directed by: Emile Ardolino

Cinematography by: William A. Fraker

Edited by: Harry Keramidas

Mississippi Burning | ShotOnWhat?

First Assistant Director

Mississippi Burning (1988)

Directed by: Alan Parker

Cinematography by: Peter Biziou

Edited by: Gerry Hambling

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Varotal Lenses, Panavision Ultra Speed MKII Lenses

Nuts | ShotOnWhat?

First Assistant Director

Nuts (1987)

Directed by: Martin Ritt

Cinematography by: Andrzej Bartkowiak

Edited by: Sidney Levin

Running Scared | ShotOnWhat?

Second Assistant Director

Running Scared (1986)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: James Mitchell

Violets Are Blue... | ShotOnWhat?

Second Assistant Director

Violets Are Blue... (1986)

Directed by: Jack Fisk

Cinematography by: Ralf D. Bode

Edited by: Edward Warschilka

The Morning After | ShotOnWhat?

Second Assistant Director

The Morning After (1986)

Directed by: Sidney Lumet

Cinematography by: Andrzej Bartkowiak

Edited by: Joel Goodman

Murphy's Romance | ShotOnWhat?

Second Assistant Director

Murphy's Romance (1985)

Directed by: Martin Ritt

Cinematography by: William A. Fraker

Edited by: Sidney Levin

National Lampoon's European Vacation | ShotOnWhat?

Second Assistant Director: USA

National Lampoon's European Vacation (1985)

Directed by: Amy Heckerling

Cinematography by: Robert Paynter

Edited by: Pembroke J. Herring

Cameras: Panavision Cameras

D.C. Cab | ShotOnWhat?

Intern

D.C. Cab (1983)

Directed by: Joel Schumacher

Cinematography by: Dean Cundey

Edited by: David E. Blewitt

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