Director Legal Post Production
Pelé: Birth of a Legend (2016)
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Director Legal Post Production
Bird People (2014)
Directed by: Pascale Ferran
Cinematography by: Julien Hirsch
Edited by: Mathilde Muyard
Cameras: ARRI ALEXA Camera
Director Legal Post Production
Before I Disappear (2014)
Directed by: Shawn Christensen
Cinematography by: Daniel Katz
Cameras: ARRI ALEXA Series Cameras
Lenses: Hawk V-Lite Lenses
Editing System: Final Cut Pro Editing System
Director Legal Post Production
Boyhood (2014)
Directed by: Richard Linklater
Edited by: Sandra Adair
Editing System: Avid Editing System
Director Legal Post Production
The Riot Club (2014)
Directed by: Lone Scherfig
Cinematography by: Sebastian Blenkov
Edited by: Jake Roberts
Director Legal Post Production
Good Kill (2014)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Director Legal Post Production
Two Days, One Night (2014)
Cinematography by: Alain Marcoen
Edited by: Marie-Hélène Dozo
Cameras: ARRI ALEXA M Camera
Director Legal Post Production
Cold in July (2014)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Cameras: Red Epic Camera
Director Legal Post Production
Kelly & Cal (2014)
Directed by: Jen McGowan
Cinematography by: Philip Lott
Edited by: David Hopper
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk V-Series Lenses
Editing System: Final Cut Pro Editing System
Director Legal Post Production
The Salvation (2014)
Directed by: Kristian Levring
Cinematography by: Jens Schlosser
Edited by: Pernille Bech Christensen
Cameras: ARRI ALEXA Plus Camera
Director Legal Post Production
Goodbye to All That (2014)
Directed by: Angus MacLachlan
Cinematography by: Corey Walter
Edited by: Jennifer Lilly
Cameras: ARRI ALEXA Series Cameras
Director Legal Post Production
Wyrmwood: Road of the Dead (2014)
Directed by: Kiah Roache-Turner
Cinematography by: Tim Nagle
Edited by: Kiah Roache-Turner
Cameras: Canon EOS-5D Mark III Camera, Red Epic Camera
Editing System: Adobe Premiere Editing System
Director Legal Post Production
Clouds of Sils Maria (2014)
Directed by: Olivier Assayas
Cinematography by: Yorick Le Saux
Edited by: Marion Monnier
Director Legal Post Production
The Best Offer (2013)
Directed by: Giuseppe Tornatore
Cinematography by: Fabio Zamarion
Edited by: Massimo Quaglia
Cameras: ARRI ALEXA Studio Camera, Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Director Legal Post Production
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Director Legal Post Production
The Canyons (2013)
Directed by: Paul Schrader
Cinematography by: John DeFazio
Edited by: Tim Silano
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Director Legal Post Production
Dirty Wars (2013)
Directed by: Rick Rowley
Cinematography by: Rick Rowley
Cameras: Canon EOS-5D Mark II Camera, Panasonic Cameras
Director Legal Post Production
Finding Vivian Maier (2013)
Cinematography by: John Maloof
Edited by: Aaron Wickenden
Cameras: Canon EOS Rebel T2i Camera
Legal Post Production
Venus in Fur (2013)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Cameras: Sony CineAlta F65 Camera
Director Legal Post Production
Jimmy P. (2013)
Directed by: Arnaud Desplechin
Cinematography by: Stéphane Fontaine
Edited by: Laurence Briaud
Legal Post Production
Brake (2012)
Directed by: Gabe Torres
Cinematography by: James Mathers
Edited by: Sam Restivo
Legal Post Production
Grabbers (2012)
Directed by: Jon Wright
Cinematography by: Trevor Forrest
Edited by: Matt Platts-Mills
Legal Post Production
Liberal Arts (2012)
Directed by: Josh Radnor
Cinematography by: Seamus Tierney
Edited by: Michael R. Miller
Cameras: Red Epic Camera
Legal Post Production
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Legal Post Production
Antiviral (2012)
Directed by: Brandon Cronenberg
Cinematography by: Karim Hussain
Edited by: Matthew Hannam
Cameras: ARRI ALEXA Camera
Legal Post Production
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Legal Post Production
Sleepwalk with Me (2012)
Cinematography by: Adam Beckman
Edited by: Geoffrey Richman
Legal Post Production
Maniac (2012)
Directed by: Franck Khalfoun
Cinematography by: Maxime Alexandre
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Legal Post Production
Donui mat (2012)
Directed by: Sang-soo Im
Cinematography by: Woo-hyung Kim
Edited by: Eun Soo Lee
Cameras: Red One Camera
Legal Post Production
Something in the Air (2012)
Directed by: Olivier Assayas
Cinematography by: Eric Gautier
Edited by: Luc Barnier
Cameras: Aaton 35-III Camera, Aaton Penelope Camera
Legal Post Production
In Their Skin (2012)
Directed by: Jeremy Power Regimbal
Cinematography by: Norm Li
Edited by: Austin Andrews
Legal Post Production
Crawlspace (2012)
Directed by: Justin Dix
Cinematography by: Simon Ozolins
Edited by: Dave Redman
Cameras: Red One Camera
Legal Post Production
Citizen Gangster (2011)
Directed by: Nathan Morlando
Cinematography by: Steve Cosens
Edited by: Richard Comeau
Legal Post Production
Salvation Boulevard (2011)
Directed by: George Ratliff
Cinematography by: Tim Orr
Edited by: Michael LaHaie
Legal Post Production
We Have a Pope (2011)
Directed by: Nanni Moretti
Cinematography by: Alessandro Pesci
Edited by: Esmeralda Calabria
Legal Post Production
Loosies (2011)
Directed by: Michael Corrente
Cinematography by: Sam Fleischner
Edited by: Daniel Boneville
Legal Post Production
Peace, Love & Misunderstanding (2011)
Directed by: Bruce Beresford
Cinematography by: Andre Fleuren
Edited by: John David Allen
Legal Post Production
Flypaper (2011)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Tom Finan
Cameras: Canon EOS-7D Camera, Red One Camera
Legal Post Production
Chalet Girl (2011)
Directed by: Phil Traill
Cinematography by: Ed Wild
Edited by: Robin Sales
Legal Post Production
Love, Wedding, Marriage (2011)
Directed by: Dermot Mulroney
Cinematography by: Óttar Guðnason
Edited by: Heather Persons
Legal Post Production
Trishna (2011)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Mags Arnold
Legal Post Production
A Lonely Place to Die (2011)
Directed by: Julian Gilbey
Cinematography by: Ali Asad
Legal Post Production
Perfect Sense (2011)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Legal Post Production
4:44 Last Day on Earth (2011)
Directed by: Abel Ferrara
Cinematography by: Ken Kelsch
Edited by: Anthony Redman
Cameras: Red One MX Camera
Lenses: Cooke S4 Lenses
Legal Post Production
Kill List (2011)
Directed by: Ben Wheatley
Cinematography by: Laurie Rose
Cameras: Red One Camera
Legal Post Production
L'arnacoeur (2010)
Directed by: Pascal Chaumeil
Cinematography by: Thierry Arbogast
Edited by: Dorian Rigal-Ansous
Legal Post Production
Cold Weather (2010)
Directed by: Aaron Katz
Cinematography by: Andrew Reed
Edited by: Aaron Katz
Legal Post Production
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Legal Post Production
Somos lo que hay (2010)
Directed by: Jorge Michel Grau
Cinematography by: Santiago Sanchez
Edited by: Rodrigo Ríos
Legal Post Production
Super (2010)
Directed by: James Gunn
Cinematography by: Steve Gainer
Edited by: Cara Silverman
Cameras: Red One Camera
Editing System: Avid Editing System
Legal Post Production
The Killer Inside Me (2010)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Mags Arnold
Legal Post Production
Kaboom (2010)
Directed by: Gregg Araki
Cinematography by: Sandra Valde-Hansen
Edited by: Gregg Araki
Legal Post Production
Room in Rome (2010)
Directed by: Julio Medem
Cinematography by: Alex Catalán
Edited by: Julio Medem
Legal Post Production
Burke and Hare (2010)
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Legal Post Production
The Myth of the American Sleepover (2010)
Directed by: David Robert Mitchell
Cinematography by: James Laxton
Edited by: Julio Perez IV
Legal Post Production
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Legal Post Production
Hanyo (2010)
Directed by: Sang-soo Im
Cinematography by: Hyung-deok Lee
Edited by: Eun Soo Lee
Legal Post Production
La princesse de Montpensier (2010)
Directed by: Bertrand Tavernier
Cinematography by: Bruno de Keyzer
Edited by: Sophie Brunet
Legal Post Production
Tiny Furniture (2010)
Directed by: Lena Dunham
Cinematography by: Jody Lee Lipes
Edited by: Lance Edmands
Cameras: Canon EOS-7D Camera
Editing System: Final Cut Pro Editing System
Legal Post Production
Red Riding: The Year of Our Lord 1983 (2009)
Directed by: Anand Tucker
Cinematography by: David Higgs
Edited by: Trevor Waite
Legal Post Production
Valhalla Rising (2009)
Directed by: Nicolas Winding Refn
Cinematography by: Morten Søborg
Edited by: Matthew Newman
Cameras: Red One Camera
Legal Post Production
Red Riding: The Year of Our Lord 1980 (2009)
Directed by: James Marsh
Cinematography by: Igor Martinovic
Edited by: Jinx Godfrey
Legal Post Production
Le code a changé (2009)
Directed by: Danièle Thompson
Cinematography by: Jean-Marc Fabre
Edited by: Sylvie Landra
Cameras: Moviecam Compact MK2 Camera
Legal Post Production
White Material (2009)
Directed by: Claire Denis
Cinematography by: Yves Cape
Edited by: Guy Lecorne
Director Legal Post Production
In Her Skin (2009)
Directed by: Simone North
Cinematography by: Jules O'Loughlin
Edited by: Jane Moran
Lenses: Cooke S4 Lenses
Legal Post Production
Kasi az gorbehaye irani khabar nadareh (2009)
Directed by: Bahman Ghobadi
Cinematography by: Turaj Mansuri
Edited by: Hayedeh Safiyari
Legal Post Production
Antichrist (2009)
Directed by: Lars von Trier
Cinematography by: Anthony Dod Mantle
Cameras: Phantom HD Camera, Red One Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Legal Post Production
Five Minutes of Heaven (2009)
Directed by: Oliver Hirschbiegel
Cinematography by: Ruairí O'Brien
Edited by: Hans Funck
Legal Post Production
Mammoth (2009)
Directed by: Lukas Moodysson
Cinematography by: Marcel Zyskind
Edited by: Michal Leszczylowski
Legal Post Production
Celda 211 (2009)
Directed by: Daniel Monzón
Cinematography by: Carles Gusi
Edited by: Mapa Pastor
Legal Post Production
I Hate Valentine's Day (2009)
Directed by: Nia Vardalos
Cinematography by: Brian Pryzpek
Legal Post Production
Looking for Eric (2009)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Legal Post Production
Brief Interviews with Hideous Men (2009)
Directed by: John Krasinski
Cinematography by: John Bailey
Cameras: Panavision Panaflex Camera
Legal Post Production
Perrier's Bounty (2009)
Directed by: Ian Fitzgibbon
Cinematography by: Seamus Deasy
Edited by: Tony Cranstoun
Legal Post Production
Life During Wartime (2009)
Directed by: Todd Solondz
Cinematography by: Edward Lachman
Edited by: Kevin Messman
Legal Post Production
Fish Tank (2009)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Legal Post Production
Cairo Time (2009)
Directed by: Ruba Nadda
Cinematography by: Luc Montpellier
Edited by: Teresa Hannigan
Legal Post Production
Stolen (2009)
Directed by: Anders Anderson
Cinematography by: Andy Steinman
Edited by: Gary Mau
Legal Post Production
Boogie Woogie (2009)
Directed by: Duncan Ward
Cinematography by: John Mathieson
Edited by: Kant Pan
Cameras: Panavision Cameras
Director Legal Post Production
In the Loop (2009)
Directed by: Armando Iannucci
Cinematography by: Jamie Cairney
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Legal Post Production
Hunger (2008)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Lenses: Cooke S4 Lenses
Legal Post Production
The Escapist (2008)
Directed by: Rupert Wyatt
Cinematography by: Philipp Blaubach
Edited by: Joe Walker
Legal Post Production
Gomorrah (2008)
Directed by: Matteo Garrone
Cinematography by: Marco Onorato
Edited by: Marco Spoletini
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Legal Post Production
Afterschool (2008)
Directed by: Antonio Campos
Cinematography by: Jody Lee Lipes
Edited by: Antonio Campos
Cameras: ARRIFLEX 535 Camera
Legal Post Production
Parlez-moi de la pluie (2008)
Directed by: Agnès Jaoui
Cinematography by: David Quesemand
Edited by: François Gédigier
Legal Post Production
Paris (2008)
Directed by: Cédric Klapisch
Cinematography by: Christophe Beaucarne
Edited by: Francine Sandberg
Legal Post Production
Uncertainty (2008)
Cinematography by: Rain Li
Edited by: Paul Zucker
Cameras: ARRIFLEX D-20 Camera
Legal Post Production
Che: Part Two (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Legal Post Production
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Legal Post Production
Pontypool (2008)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Jeremiah Munce
Cameras: Red One Camera
Legal Post Production
How to Rob a Bank (and 10 Tips to Actually Get Away with It) (2007)
Directed by: Andrews Jenkins
Cinematography by: Joe Meade
Legal Post Production
The Duchess of Langeais (2007)
Directed by: Jacques Rivette
Cinematography by: William Lubtchansky
Edited by: Nicole Lubtchansky
Legal Post Production
The Last Mistress (2007)
Directed by: Catherine Breillat
Cinematography by: Giorgos Arvanitis
Edited by: Pascale Chavance
Legal Post Production
Anamorph (2007)
Directed by: Henry Miller
Cinematography by: Fred Murphy
Edited by: Geraud Brisson
Legal Post Production
Love Songs (2007)
Directed by: Christophe Honoré
Cinematography by: Rémy Chevrin
Edited by: Chantal Hymans
Legal Post Production
A londoni férfi (2007)
Cinematography by: Fred Kelemen
Edited by: Ágnes Hranitzky
Legal Post Production
Milyang (2007)
Directed by: Chang-dong Lee
Cinematography by: Yong-kyou Cho
Edited by: Hyun Kim
Legal Post Production
4 Months, 3 Weeks and 2 Days (2007)
Directed by: Cristian Mungiu
Cinematography by: Oleg Mutu
Edited by: Dana Bunescu
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Ultra Prime Lenses
Legal Post Production
The Secret of the Grain (2007)
Directed by: Abdellatif Kechiche
Cinematography by: Lubomir Bakchev
Cameras: Sony HDW-F900 Camera
